Featured New Releases for
March 18, 2014

Supermodel

Columbia / Columbia Records / Startime
The Los Angeles trio's sophomore album of bouyant, organic pop with layered production via Paul Epworth.

— Matt Collar

Kiss Me Once

Parlophone / Warner Bros.
The agelessly brilliant pop star's 12th album is an uplifting, frequently sexy album that's tailor-made for nights out on the dancefloor.

— Tim Sendra

YG

My Krazy Life

Def Jam
Rap
Y.G.'s Def Jam debut is a thrilling throwback to the days when the West Coast ruled Gangsta Rap.

— David Jeffries

Piñata

Madlib Invazion
Rap
The avant producer and the Indiana rapper collaborate on an excellent album that should please both left-field and hardcore rap fans.

— David Jeffries

Underneath the Rainbow

Vice / Warner Bros.
The band's seventh album finds them cleaning up and streamlining their garage punk sound, throwing in some bloozy Southern rock for good measure.

— Tim Sendra

Rock 'n' Roll Blues

New West
The Mississippi guitarist showcases his writing ability in this riveting autobiographical song cycle drenched in blues, country, and folk.

— Thom Jurek

Rat Conspiracy

Numero Group
Second in a series of box sets reissuing the entire catalog from these essential '90s indie punk legends.

— Fred Thomas

Darlings

Arts & Crafts
Seven years after his first attempt, Broken Social Scene's frontman finally makes a proper solo record.

— Timothy Monger

Sisyphus

Asthmatic Kitty / Joyful Noise
The first full-length LP from unusual trio Sufjan Stevens, Son Lux, and Serengeti is a mixed bag.

— Timothy Monger

We Got a Love

DFA
Featuring a wide range of guests and showing a mastery of electronic dance music of all kinds, Shit Robot's second LP is a gem.

— Tim Sendra

Food Chain

Victory Records
The Bunny the Bear put mainstream music through the wood chipper, offering a look at the possible future of pop music on Food Chain.

— Gregory Heaney

Awake

Ghostly International
With more peaks and valleys -- and polish -- than Tycho's previous music, Awake offers a sunset of moods.

— Heather Phares

The Stone

Blind Tango
An inspired and rocking return from the undervalued native Minneapolitan -- his first solo album since 1985.

— Andy Kellman

Bloomed

Merge
Masterful debut from this gifted singer/songwriter that brings out the rootsy side of his material, with powerful results.

— Mark Deming

The Expression of Power

Southern Lord Records
Revised and expanded version of the 1986 debut album from Santa Cruz's punk metal warriors and Black Flag acolytes.

— Mark Deming

Chills on Glass

Drag City
The Drag City debut by the Chicago-based quartet is more unhinged, humorous, and adventurous than its predecessors.

— Thom Jurek

Extremist

Relativity / Solid State
The Nashville-based five-piece delivers another solid set of brooding, stylistically unpredictable Christian metal.

— James Christopher Monger

Ever After

Interscope
Canadian pop-punk troubadours fashion a wildly ambitious concept album full of huge hooks and melodies.

— Timothy Monger

Empire of the Undead

Victor Entertainment
Despite losing their studio in a fire, power metal veterans Gamma Ray deliver a solid performance on their 11th studio album.

— Gregory Heaney

Me

eOne
Messina's first post-Curb Records release finds her doing pretty much what's she's always done.

— Steve Leggett

Suck My Shirt

Suicide Squeeze
Fourth album from Atlanta-based female garage punks shows them getting stronger without losing their sense of fun.

— Mark Deming

Krokofant

Rune Grammofon
This Norse sax-guitar-drums power trio delivers an exciting debut that walks the line between electric jazz, prog rock, and metal.

— Thom Jurek

Ridmik

Hypercolour
Now with Hypercolour and still armed with the TB-303, the producer coasts through some of his least inspired acid-laced material.

— Andy Kellman

Ultimate Laughs

Jack / Loudmouth Records / Warner Bros.
Covering the years 1996 to 2009, this set collects the best of the Blue Collar comedian's solo work, including the beloved "Here's Your Sign."

— David Jeffries

Therapy

Légère Recordings
R&B
Funk grooves, greasy Memphis-styled soul stomps, breezy jazz touches, and enough joyous bounce to get the whole world to take to the dancefloor.

— Steve Leggett

Arabesque

Sony Classical
There is nevertheless a sufficient number of really brilliant flashes here to make the voice-seekers sit up and take notice.

— James Manheim

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