Pierre Attaingnant

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Until the beginning of the fifteenth century in Europe, the monasteries had a monopoly on the copying, illuminating and preservation of religious texts and church music. Thus, until Gutenberg's invention…
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Composition Highlights

Title Year Avg. Duration Genre
Bransle Gay 01:59 Miscellaneous (Classical)
Basse Danse "La Magdalena" 02:28 Miscellaneous (Classical)
Tant que vivray, for lute 02:15 Chamber Music
La Roque 02:06 Miscellaneous (Classical)
La Magdalena 02:39 Miscellaneous (Classical)
Pavane 02:36 Chamber Music
Tourdion, for chamber ensemble 1531 02:06 Chamber Music
Bransle simple 00:39 Miscellaneous (Classical)
Dolent depart, lute intabulation (from Tres breve et familiere introduction) 1529 02:37 Chamber Music
Prelude 01:47 Miscellaneous (Classical)
Cuer angoisseux, basse dance for lute (after P[ierre] B[londeau]) (from 18 basses dances) 1530 02:17 Chamber Music
Gaillarde (15) 01:30
Gaillard No 2 01:02 Miscellaneous (Classical)
La brosse, basse dance, recoupe, tourdion, for lute (after P[ierre] B[londeau]) (from 18 basses dances) 1530 02:32 Chamber Music
Gaillarde 01:22 Miscellaneous (Classical)
Amy souffres, lute intabulation (after Pierre Moulu) (from Tres breve et familiere introduction) 1529 03:07 Chamber Music
Haulberrys 02:09 Chamber Music
La Gatta 01:49 Miscellaneous (Classical)
Magnificat Du Huitieme Ton 1531 04:02 Choral
La Brosse, for diverse instruments 02:57 Chamber Music
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