|
2018 |
If We Dig Any Deeper It Could Get Dangerous |
Sarah McQuaid |
Photography |
|
2017 |
Greatest Hits |
Six by Seven |
Cover Photo |
|
2015 |
Walking Into White |
Sarah McQuaid |
Photography |
|
2012 |
Small Time/Hey Hey We're the Manqués |
The Servants |
Photography |
|
2008 |
London Conversations: The Best of Saint Etienne |
Saint Etienne |
Photography |
|
2007 |
The Brit Box: U.K. Indie, Shoegaze, and Brit-Pop Gems of the Last Millennium |
|
Photography |
|
2006 |
SK2 |
Simple Kid |
Photography |
|
2005 |
Artists Cannibals Poets Thieves |
Six by Seven |
Photography |
|
2004 |
1 |
Simple Kid |
Photography |
|
2004 |
Replay |
Bark Psychosis |
Photography |
|
2002 |
Poetic Justice |
Steve Harley |
Sleeve Photo |
|
1999 |
A Different Beat |
Gary Moore |
Programming |
|
1999 |
Simple Pleasure |
Tindersticks |
Photography |
|
1998 |
Untitled |
Six by Seven |
Photography |
|
1997 |
Advanced Technology |
Empirion |
Photography |
|
1997 |
Firestarter |
The Prodigy |
Photography |
|
1997 |
Game Over |
Bark Psychosis |
Photography |
|
1997 |
M.B. December 21, 1984 |
Laibach |
Photography |
|
1997 |
Welcome to the World |
Psycho Motel |
Photography |
|
1996 |
Nenette et Boni [Original Motion Picture Soundtrack] |
Tindersticks |
Photography |
|
1996 |
Out of Their Mouth, Mk. 2 |
|
Photography |
|
1995 |
Spoor |
Thin White Rope |
Photography |
|
1995 |
Tindersticks [II] |
Tindersticks |
Photography |
|
1994 |
Toward the Within |
Dead Can Dance |
Portraits |
|
1992 |
Oomalama |
Eugenius |
Photography |
|
1990 |
Aion |
Dead Can Dance |
Portraits |
|
1989 |
Mettle |
Hugo Largo |
Photography |
|
1988 |
See the Money in My Smile |
The Jack Rubies |
Photography |
