Along with Palestrina, Franco-Flemish composer Orlande de Lassus (1532-1594) was the dominant figure of the late renaissance.
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Composition Highlights

Title Year Avg. Duration Genre
Prophetiae Sibyllarum... chromatico more singulari confectae, motet collection for 4 voices 31:00 Choral
Missa Bell' Amfirit'altera, for 8 voices, H. viii/55 14:07 Choral
Bon jour mon Coeur (Ronsard) (Christ est mon Dieu), chanson for 4 voices, B. xi/68 (S. xii/100) 01:42 Vocal Music
Lamentationes Hieremiae (9), for 5 voices, H. xxii/3 1585 01:08:14 Choral
Lagrime di S Pietro (Tansillo), madrigal for 7 voices, H. xx 54:04 Vocal Music
Matona mia cara, villanelle for 4 voices, S. x/93 02:24 Vocal Music Choral
La nuict froide et sombre (Du Bellay), chanson for 4 voices, B. xii/119 (S. xii/34) 02:35 Vocal Music
Quand mon mary vient (Quand l'homme honneste), chanson for 4 voices, B. xiii/136 (S. xii/23) 01:01 Vocal Music
Tristis est anima mea, motet for 5 voices, M. iv (S. v/48) 03:52 Choral
Lucia celu hai biscamia (morescha), villanelle for 4 voices, S. x/97 02:54 Vocal Music
Susanne un jour (G. Guerault), chanson for 5 voices, B. 52 (S. xiv/29) 03:33 Vocal Music
Der Wein, der schmeckt mir also, lied for 5 voices, S. xviii/11 01:45 Vocal Music
Timor et tremor, motet for 6 voices, M. iii (S. xix/6) 04:45 Choral
Musica Dei donum optimi, motet for 6 voices, M. xvi (S. xix/63) 04:01 Choral
Missa Pro defunctis, for 4 voices, H. iv/95 31:17 Choral
Aurora lucis rutilat, motet for 10 voices, M. xxii (S. xxi/119) 04:10 Choral
Resonet in laudibus, motet for 5 voices, M. vii (S. iii/148) 03:42 Choral
Salve Regina, motet for 6 voices, M. xix 04:45 Choral
Aurora lucis rutilat (octavi toni), magnificat for 10 voices, H. xvii/124 07:46 Choral
De profundis (6th part of Psalmi Davidis poenitentiales), motet for 5 voices 09:36 Choral
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