Carl Czerny
Biography
by Joseph Stevenson
This pianist, composer, and musicographer now remembered for fiendish finger exercises was a student of Beethoven and a teacher of Liszt.
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Composition Highlights
| Title |
Year |
Avg. Duration |
Genre |
|
Die Kunst der Fingerfertigkeit, for keyboard, Op. 740 |
|
|
Keyboard |
|
Variations on a Theme by Rode "La Ricordanza," for piano, Op. 33 |
1851 |
|
Keyboard |
|
Variation on a Waltz by Diabelli (v. 4), for piano (part of collaborative work) |
|
|
Keyboard |
|
Andante and Polacca, for horn & piano, Op Posth |
|
|
Chamber Music |
|
Fantasia Concertante, for piano, flute & cello, Op. 256 |
|
|
Chamber Music |
|
Coda to a Waltz by Diabelli, for piano (part of collaborative work) |
|
|
Keyboard |
|
Introduction, variations & finale for flute & piano in C major, Op. 80 |
|
|
Chamber Music |
|
Variationen über einen bekannten Wiener Walzer, for piano, Op. 12 |
|
|
Keyboard |
|
Etudes for piano |
|
|
Keyboard |
|
Piano Concerto in A minor, Op. 214 |
1829 |
|
Concerto |
|
Duo Concertante for flute & piano, Op. 129 |
|
|
Chamber Music |
|
Grande Sérénade Concertante, for clarinet, horn, cello & piano, Op. 126 |
1827 |
|
Chamber Music |
|
Piano Sonata No. 1 in A flat major, Op. 7 |
|
|
Keyboard |
|
Concerto for piano, 4 hands & orchestra in C major, Op. 153 |
|
|
Concerto |
|
Fantaisie brillante on themes from Mozart's Le Nozze di Figaro, for piano, Op. 493 |
|
|
Keyboard |
|
Divertissement de Concert, for piano & orchestra, Op. 204 |
|
|
Concerto |
|
Symphony No. 2 in D major, Op. 781 |
|
|
Symphony |
|
Hexamaron, variation 5 on a march from Bellini's I Puritani, for piano (part of collab. work) |
|
|
Keyboard |
|
Toccata for piano in C major, Op. 92 |
|
|
Keyboard |
|
Variations on "Gott Erhalte," for piano & string quartet, Op. 73 |
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|
Keyboard |
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