Chris Meloche


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Like its predecessor in 1994's Recurring Dreams of the Urban Myth, Wireless draws from the urban environment in assembling dense, disorganized soundscapes of subtle beauty. Unfolding slowly over the course of an hour, Wireless, as its name suggests, utilizes radio waves in combination with treated elecronics, with results closer in feel to electro-acoustic experimentalists such as Carl Stone and Morton Subotnick than the warm, often more active ambient the Fax label is known for.

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