Trance Mission continues the mess that Stephen Kent started in 1988 with Lights in a Fat City, though I'm not sure I hear the fruits of five years of didgeridoo practice in between. But I do hear Beth Custer's admirably obnoxious Beefheart-style skin-sax on "Bo Didgely" and her try at tacking klezmer clarinet onto tabla on the root-bound "Folk Song." My favorite piece, however, is the solemn 11-minute "Tunnel", which wriggles through a worm-hole of gaseous material unexplored since Gong abandoned its five-year mission over 15 years ago. Too raucous, adventurous, and funny for its intended new age audience, Trance Mission is worldbeat space rock at full impulse power.
AllMusic Review by Bob Tarte