This was to be Man's last studio album for two decades, and with its weak sales (it failed to chart) and underpowered material it's easy to see why the band called it quits for the time being. There's some irony, then, in the closing track being "Born with a Future." It's a good final bow, though, as it's well harmonized and ultimately one of the best cuts on the album. Perhaps this releases's most nagging overall problem is the mix -- Phil Ryan's keyboards are high up, while Deke Leonard's bracing guitar parts are less evident than usual. Although this isn't always a liability -- the lengthy title track lazily wends its way through some pleasant Moog solos and electric piano flourishes -- the grittiness of the band's sound is largely squandered here.
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AllMusic Review by Paul Collins