A shamelessly misleading and essentially worthless release that seems misguided even as a straight-up cash-grab attempt (because where was Robyn's audience in 2004?), this is not so much a "compilation" as a repackaging of Robyn's 1997 debut album -- minus three tracks. Those three -- curiously, the only three that the then-teenaged Swedish singer wrote herself (though she has at least a co-credit on every track) -- are not even the weakest cuts on Robyn Is Here, although like the bulk of the album they are relatively slight, generic pop-R&B. Indeed, the only conceivable advantage of this release is that it front-loads all three of the album's strongest tracks: the three singles. But what makes Robyn's Best actively insulting instead of just obnoxiously harmless is that at the time of its release -- although she had yet to embark on the full-scale artistic and commercial renaissance that would begin the following year with the Swedish release of Robyn -- she already had two more excellent, Europe-only full-lengths under her belt that this compilation pointedly ignores.
AllMusic Review by K. Ross Hoffman