Is violinist Julia Fischer in the same league as David Oistrakh in her recording of Brahms' Violin Concerto? Are Fischer and cellist Daniel Müller-Schott in the same league as Oistrakh and Mstislav Rostropovich in their recording of Brahms' Double Concerto? No: Oistrakh and Rostropovich are playing big, muscular, and heroic music while Fischer and Müller-Schott are playing intimate, sensuous, and lyrical music. Fischer's tone is lovely, her technique is impeccable, but best of all his interpretation of the Violin Concerto is sweet, smiling, and joy-filled. Müller-Schott's tone is warm, his technique is impressive, but best of all his interpretation of the Double Concerto with Fischer sounds like a love duet from an Othello written by a German. Together with the lush and enveloping accompaniment of the Netherlands Philharmonic Orchestra Amsterdam led by Yakov Kreizberg, Fischer and Müller-Schott turn in performances that aren't in the same league as Oistrakh and Rostropovich -- they're in a wonderfully seductive league of their own. PentaTone's super audio digital sound is rich, full, deep, and just about real.
Review by James Leonard
|Violin Concerto in D major, Op. 77|
|Concerto for violin, cello & orchestra in A minor ("Double"), Op. 102|