In an ideal world, Shirley Scott would have made as many trips to the studio in the 1970s and 1980s as she did in the 1960s. But regrettably, she did very little recording in the 1970s and 1980s. After 1974's One for Me on Strata East, the Philadelphia organist/pianist stayed away from the recording scene for 15 years before making an impressive return to the studio with 1989's Oasis. Produced by tenor titan Houston Person, this solid hard-bop/soul-jazz effort finds a 55-year-old Scott leading a combo that employs Charles Davis on tenor sax, Virgil Jones on trumpet, Arthur Harper on bass, and Mickey Roker on drums. While Davis is the main pianist, Person is featured on Scott's relaxed 12-bar number "Blues Everywhere." Scott is in fine form throughout the album, playing with plenty of warmth and feeling on original material as well as soulful interpretations of "Alone Together," J.J. Johnson's "Lament," and "Nature Boy" (which has been performed as a ballad by Nat "King" Cole and others but gets a surprisingly uptempo treatment from Scott). In 1989, it was nice to know that Scott was recording again -- and thankfully, she wouldn't neglect the studio in the 1990s.
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AllMusic Review by Alex Henderson