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New age neo-classicists Libera established their artistic niche by updating choral pieces with ethereal electronic orchestration and theatrical musical sweeps on their self-titled debut album, and the 2001 release Luminosa continues these themes. In interpreting Handel, Beethoven, Saint-Saƫns, and Debussy among others, director and producer Robert Prizeman is working from a base of some of the finest compositions in history, so it is no surprise that the pieces are as moving as they are. The alternately haunting and embracing "Ave Maria," assisted greatly by the almost impossibly angelic vocals of soloist Steven Geraghty, swirls through imagined marble halls, echoing brightly through Prizeman's production, while the title track reverberates with delicate harmonies and intricate harp-based orchestration. While some listeners may trouble themselves by asking exactly which elements are organic and which are synthesized, those who can let slip the reins of analysis and release themselves into the music will be gently swept away.

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