Recorded in a mere two sessions, this had the potential to be a decent, if hardly innovative, effort. At this point, Korner's group was in one its most stripped-down phases, featuring just Alexis on guitar, Danny Thompson on bass, and Terry Cox on drums. Very shortly after this disc, Thompson and Cox would form the rhythm section of Pentangle, so these cuts are somewhat akin to hearing the bare bones of Pentangle in a much more blues/jazz-based context. The musical backing is not the problem, nor is the material, divided between Korner originals and blues standards by the likes of Jimmy Smith, Percy Mayfield, Ma Rainey, and Jelly Roll Morton. The problem is that Korner elected to sing these himself in his gruff, scraggly croak. It's not like listening to Dylan or Buffy Sainte-Marie, who take some getting used to, but have considerable, idiosyncratic talent -- Korner simply cannot, objectively speaking, sing. (His butchering of Herbie Hancock's "Watermelon Man" has to be heard to be believed.) And that makes this album downright difficult to bear, despite the fine, spare musical arrangements (the instrumental cover of Jimmy Smith's "Chicken Shack Back Home" is a major standout in this context). If Korner had the wisdom to employ even a minor-league British bluesman like, say, Duffy Power (who guested with him occasionally during this time) as his singer for these sessions, the results would have been immeasurably better.
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AllMusic Review by Richie Unterberger