Purcell Quartet

Couperin: Les Nations, Vol. 2

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The chamber music of François Couperin comes to mind less readily than do his keyboard works, and the trio (and duo) sonatas heard here are less familiar than the set of Concerts royaux known as "Les goûts réunis" (The Tastes Reunited), composed a few years earlier and intended, as the subtitle suggested, to fuse the new tunefulness coming out of Italy with the formal, elegant dance suites of the French court. The two ordres or suites from the collection Les Nations stylistically follow on those of the earlier sets, with numerous short movements (15 in one, 14 in the other) that bring an elegant, choreographic quality to the Italian tempo-titled movements and a profusion of violinistic melody to the French ones. The period-instrument Purcell Quartet (two violins, of strikingly different personalities, plus a continuo consisting of harpsichord and bass viol) conveys this music beautifully. The players are aware of the substantial differences between Couperin's keyboard output and his chamber music, and they avoid the intense, hothouse atmosphere that can work in the keyboard pieces, with their dense layers of ornament and programmatic suggestion. (Two keyboard preludes appear on this album, in the manner of curtain-raisers for each half of the program.) In the suites from Les Nations, the quartet is rather deliberate, emphasizing elegance and a languorous quality over ornament and edge. Another attractive feature of the program is the inclusion of the unique Concert à 2 instruments à l'unisson -- Piece for two instruments in unison. This work (from the earlier Concerts royaux set) seems to hark back to a long tradition of duos with a didactic purpose; it is filled, atypically for Couperin, with contrapuntal artifice. But that artifice is woven into music so lightweight it seems to float, especially in a performance as attuned to its paradoxical nature as the one here is. The notes by Richard Langham Smith provide a great concise introduction to these masterworks of the French Baroque, including a delightful long quotation from Couperin's own written introduction to the Les Nations set, and the sound is close-up and clear without fetishizing performer noise.

Track Listing

Sample Title/Composer Performer Time Stream
L' Art de toucher le Clavecin, for harpsichord (Pièces de clavecin)
1 01:26 Amazon
L' impériale, for 2 violins & continuo (Les Nations)
2 02:14 Amazon
3 01:33 Amazon
4 01:17 Amazon
5 02:14 Amazon
6 01:14 Amazon
7 02:26 Amazon
8 02:30 Amazon
9 01:54 Amazon
10 01:53 Amazon
11 02:44 Amazon
12 00:47 Amazon
13 01:10 Amazon
14 02:18 Amazon
15 05:11 Amazon
16 01:13 Amazon
Treizième concert, for 2 instruments in G major (Les Goûts réunis)
17 01:00 Amazon
18 02:25 Amazon
19 03:41 Amazon
20 02:13 Amazon
L' Art de toucher le Clavecin, for harpsichord (Pièces de clavecin)
21 01:00 Amazon
La Piémontoise (L'Astrée), for 2 violins & continuo (Les Nations)
22 01:49 Amazon
23 00:47 Amazon
24 01:28 Amazon
25 01:17 Amazon
26 00:49 Amazon
27 00:49 Amazon
28 00:40 Amazon
29 00:58 Amazon
30 02:45 Amazon
31 01:31 Amazon
32 02:01 Amazon
33 03:03 Amazon
34 02:33 Amazon
35 02:21 Amazon
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