Her most rock & roll-oriented album, and one of the finest solo rock albums of the mid-'60s. Besides the two hit title tracks, Dusty covers various American soul and pop tunes that usually rank at least equal to the originals, in some cases totally outclassing them. In particular, she improves upon "24 Hours From Tulsa," "Anyone Who Had a Heart," "You Don't Own Me," and "When the Lovelight Starts Shining Through His Eyes." The production is the most credible approximation of the Phil Spector wall of sound ever managed in the U.K., with full brass and strings, soulful female backup choruses, and pounding piano and drums. Also includes a first-rate Springfield original, "Somethin' Special."
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AllMusic Review by Richie Unterberger