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2024's Glasgow Eyes was promoted as a "return to the band's Psychochandy distorted sound", but sounds the polar opposite: perfectly equalized, pristine-sounding, featuring background fuzz instead of hooks and more terrible attempts at pseudo-sexy motorik beats ("Venal Joy"). Their discograhy confirms they were, are and will always be remembered as a one-album wonder.

2017's Damage and Joy contains more guesting "alternative" UK vocalists, but has the same skeletal, Dance-oriented sound of their post-1987 releases, thus sounding as repetitive and shallow as ever.