Members of the Ladybug Transistor and Crystal Stilts back Comet Gain leader David Christain on an album that has all the imagination and great songs of their respective bands.
The debut album from this Virginia indie pop duo matches sweet female vocals with extremely catchy songs that range from shouty post-punk to quiet ballads.
Frankie Rose and the Outs' debut record is near-perfect noise pop that adds some Cramps-style rockabilly to the style's usual girl group and '50s pop influences.
Postcards is fun. Granted, it is serious-minded fun with ambition, but with Manic Street Preachers, you take fun whenever you can get it, and they’ve never sounded as ebullient as they do here.
DJ Mark Ronson returns with his third studio album, 2010's Record Collection, which includes lead-off single "Bang Bang Bang" featuring Q-Tip and MDNA's Amanda Warner.
Hip-O Select’s 2010 release The Solo Albums, Vol. 1 combines Smokey Robinson’s first two post-Miracles albums -- 1973’s Smokey and its 1974 sequel, Pure Smokey -- on one CD.
The Charlatans recapture their sense of sonic adventure on Who We Touch, resulting in their freshest, best album since they traded the Happy Mondays for the Rolling Stones.
Given how long these two albums have been out of print, Fleshtones' fans should welcome this set with open arms, and the quality remastering and well-designed booklet add to the value.
Pared down to a duo, the Pipettes shift from the girl group worship of their first album to a more modern, disco-fied sound with equally exciting results.
Women's sophomore effort, Public Strain, improves upon the indie pop lo-fi sound of their debut with an arresting amount of noise which can be off-putting, but if you stick with the album and listen to it in its entirety -- as it’s made to be heard -- its inherent beauty grows clearer