Editors' Choice for September 2010

Album cover for Crush

Crush

PPM / PPM Records

The follow-up to Skeletons scales back on the tropical influences, reins in the band's energy, and adds new wave influences to its indie rock sound.

— Tim Sendra

Album cover for Good Things

Good Things

Stones Throw
R&B

The neo-soul singer partners with Truth & Soul Productions crew for an album more organic and rewarding than his debut.

— David Jeffries

Album cover for Airtight's Revenge

Airtight's Revenge

Plug Research
R&B

A heavy, messy, and dynamite return from one of the era's most electrifying vocalists.

— Andy Kellman

Album cover for Album of the Year

Album of the Year

Fat Beats
Rap

The Detroit-based producer uses a live band to create a new flavor of hip-hop on this 2010 release.

— David Jeffries

Album cover for Cinema Red and Blue

Cinema Red and Blue

What's Yr Rupture?

Members of the Ladybug Transistor and Crystal Stilts back Comet Gain leader David Christain on an album that has all the imagination and great songs of their respective bands.

— Tim Sendra

Album cover for Halcyon Digest

Halcyon Digest

4AD

The band plays with layers of nostalgia on this surprisingly gentle exploration of how fleeting, and important, memories can be.

— Heather Phares

Album cover for Skit I Allt

Skit I Allt

Mexican Summer

Strong, muscled transitional album that finds the band relying as heavily on folk and free jazz as fuzzy, sprawling psych-rock.

— Andrew Leahey

Album cover for Zodiac

Zodiac

Metropolis / Metropolis Records

Electric Six return with Zodiac, the groove heavy soundtrack for all your late night activities.

— Gregory Heaney

Album cover for Clapton

Clapton

Reprise / Warner Bros.

A relaxed collection of blues, pop standards, New Orleans jazz, and originals, Clapton is one of his simplest and best records.

— Stephen Thomas Erlewine

Album cover for Silver

Silver

Kanine Records

The debut album from this Virginia indie pop duo matches sweet female vocals with extremely catchy songs that range from shouty post-punk to quiet ballads.

— Tim Sendra

Album cover for Ring

Ring

Beggars Group / Matador / True Panther Sounds

Primal and ethereal, ancient and futuristic, Glasser's full-length debut fulfills the promise of her singles and EPs.

— Heather Phares

Album cover for Grinderman 2

Grinderman 2

Anti-

Grinderman 2 is less unhinged than its predecessor but more sonically adventurous, and still packs a wallop.

— Thom Jurek

Album cover for I Am the West

I Am the West

Lench Mob
Rap

Ice Cube’s first album since turning 40 masterfully shows younger rappers how to enter middle age with their baller status intact.

— David Jeffries

Album cover for The Trip

The Trip

Drag City

The Stereolab and Monade vocalist goes solo with a meditative album in memory of her sister's death.

— Heather Phares

Album cover for Postcards from a Young Man

Postcards from a Young Man

Columbia / Sony Music Distribution

Postcards is fun. Granted, it is serious-minded fun with ambition, but with Manic Street Preachers, you take fun whenever you can get it, and they’ve never sounded as ebullient as they do here.

Album cover for Band of Joy

Band of Joy

Rounder

Robert Plant revives the name of his first group, Band of Joy, for a tremendous collection of eclectic covers of folk, rock, blues, and gospel.

— Stephen Thomas Erlewine

Album cover for Body Talk, Pt. 2

Body Talk, Pt. 2

Cherrytree / Interscope / Island / Konichiwa

Body Talk's second volume presents sweet synth pop that sings the praises of support and companionship.

— Heather Phares

Album cover for Epic

Epic

Ba Da Bing Records

Where Epic fails to deliver in size, it more than makes up for with material.

— James Christopher Monger

Album cover for The Solo Albums, Vol. 1

The Solo Albums, Vol. 1

Motown
R&B

Hip-O Select’s 2010 release The Solo Albums, Vol. 1 combines Smokey Robinson’s first two post-Miracles albums -- 1973’s Smokey and its 1974 sequel, Pure Smokey -- on one CD.

— Stephen Thomas Erlewine

Album cover for Never Stop

Never Stop

E1 Entertainment

Never Stop is the first album of all original material by the Bad Plus.

— Thom Jurek

Album cover for Who We Touch

Who We Touch

The End

The Charlatans recapture their sense of sonic adventure on Who We Touch, resulting in their freshest, best album since they traded the Happy Mondays for the Rolling Stones.

— Stephen Thomas Erlewine

Album cover for Earth vs. the Pipettes

Earth vs. the Pipettes

Fortuna POP!

Pared down to a duo, the Pipettes shift from the girl group worship of their first album to a more modern, disco-fied sound with equally exciting results.

— Tim Sendra

Album cover for Sex with an X

Sex with an X

Sub Pop

The legendary Scottish duo's first album in 20 years recaptures the rambunctious indie pop sound of their youth but with a more mature approach.

— Tim Sendra

Album cover for Lisbon

Lisbon

Fat Possum Records

Another slow-burning, impressionistic triumph for the Walkmen.

— Heather Phares

Album cover for Passion, Pain & Pleasure

Passion, Pain & Pleasure

Atlantic
R&B

Trey Songz's fourth album builds on the singer's increasing momentum and features the Top Ten R&B single "Bottoms Up."

— Andy Kellman

Album cover for A Complete Introduction to Disco
Various Artists

A Complete Introduction to Disco

Universal
R&B

A four-disc box that traces disco's origins, peak period, and evolution, combining hits with cult favorites.

— Andy Kellman

Album cover for Public Strain

Public Strain

Jagjaguwar

Women's sophomore effort, Public Strain, improves upon the indie pop lo-fi sound of their debut with an arresting amount of noise which can be off-putting, but if you stick with the album and listen to it in its entirety -- as it’s made to be heard -- its inherent beauty grows clearer