Editors' Choice for October 2019

Album cover for All Mirrors

All Mirrors

Jagjaguwar

Risks pay off on a highly stylized album with lavish orchestral arrangements that only elevate the singer's trademark vulnerability.

— Marcy Donelson

Album cover for FIBS

FIBS

Moshi Moshi Records

Meticulously plotted rhythms carry listeners through a mix of songs and indie electronic instrumentals on the composer's vibrant sophomore album.

— Marcy Donelson

Album cover for Two Hands

Two Hands

4AD

Following the spacey, artful U.F.O.F. by only five months, this contrasting sister album opts for a crisper, rawer, more jagged approach.

— Marcy Donelson

Album cover for Hallucinogen

Hallucinogen

Debemur Morti

Normandy's premier experimental black metal outfit enter a new exploratory musical phase without forsaking their origins.

— Thom Jurek

Album cover for Shiny New Model

Shiny New Model

What's Yr Rupture?

The band shave off the rough edges of the dance punk sound, replacing it with newfound sonic power.

— Tim Sendra

Album cover for Utopia

Utopia

Bremer McCoy Music / Luaka Bop

Enveloping Luaka Bop debut from the Danish instrumental duo that begs to be listened to in one sitting.

— Matt Collar

Album cover for Sun on Sand

Sun on Sand

Nonesuch

Composer Patrick Zimmerli's engaging, hybridized jazz and classical suite features saxophonist Joshua and chamber ensemble Brooklyn Rider.

— Matt Collar

Album cover for Trilogy 2

Trilogy 2

Concord

The follow-up to the super-trio's Grammy-winning debut features more vibrant concert performances.

— Matt Collar

Album cover for After the Fire

After the Fire

Late August Records

A modest yet deeply felt album that showcases Jinks' strengths as a singer and songwriter.

— Stephen Thomas Erlewine

Album cover for The Wanting

The Wanting

Late August Records

On his second album released in October 2019, Cody Jinks gets introspective.

— Stephen Thomas Erlewine

Album cover for Junior

Junior

Sub Pop

The Montreal group's third album -- and first for Sub Pop -- is newly powerful indie rock built on post-punk influences and hooky melodies.

— Tim Sendra

Album cover for Big Blue

Big Blue

Arts & Crafts

A smartly written, tightly focused, and appealingly heavy sophomore LP from this Vancouver fuzz-pop trio.

— Timothy Monger

Album cover for Deceiver

Deceiver

Captured Tracks

The band digs deeper into pain, addiction, and recovery on their grittily beautiful third album.

— Heather Phares

Album cover for Giants of All Sizes

Giants of All Sizes

Polydor / Verve

Awash in the damp grays and socio-political malaise of Brexit, the veteran post-Brit-poppers navigate the brackish waters with empathy and steely acceptance.

— James Christopher Monger

Album cover for Four

Four

Damaged Goods

The French singer's fourth album is her usual blend of obscure covers and string originals delivered in cool and reverent '60s style.

— Tim Sendra

Album cover for Crush

Crush

Ninja Tune

Sam Shepherd's engrossing second album veers from motionless ambient interludes to bracing techno tracks.

— Andy Kellman

Album cover for Trillium Killer

Trillium Killer

Orchid Tapes

Lush electro-acoustic production and complex songwriting make the third album from this dream pop project a genre standout.

— Fred Thomas

Album cover for Spectrum

Spectrum

Telarc Distribution

On the eve of her 40th birthday, the virtuoso pianist surveys what she's learned and integrated into her music over the last decade.

— Thom Jurek

Album cover for Dusty

Dusty

Mello Music Group
Rap

The Queens native reunites with producer Mono en Stereo (formerly RTNC) for a set of pointed observations set to ambling jazz and funk grooves.

— Paul Simpson

Album cover for Surviving

Surviving

Exotic Location Recordings / RCA

A late-career peak, the Arizona quartet approaches middle age by maturing their emo-rock sound.

— Neil Z. Yeung

Album cover for Chapters

Chapters

Edition Records

The Los Angeles jazz outfit collaborates with several vocalists on this accessible, yet still boundary-pushing outing.

— Matt Collar

Album cover for Livelong Day

Livelong Day

Rough Trade

The Irish band's second album for Rough Trade is a vigorously played, smartly arranged long game that manipulates and celebrates its traditional folk roots.

— Timothy Monger

Album cover for Sonic Citadel

Sonic Citadel

Thrill Jockey

This multi-faceted and curious collection finds the noise rock institution still growing and developing nearly a quarter century in.

— Fred Thomas

Album cover for Spectre

Spectre

Western Vinyl Records

Fourth album from Vancouver duo incorporates the best elements of their ever-shifting dark pop muse.

— Fred Thomas

Album cover for Perfect Love Song

Perfect Love Song

Father/Daughter Records

The second Lisa Prank album is a full-band affair that spices the garage punk rippers with some soft and sad pop songs.

— Tim Sendra

Album cover for Seeker

Seeker

Merge

The singer/songwriter's impressively huge-sounding and inventively arranged fourth album finds him fully playing the part of a classic rock troubadour.

— Tim Sendra

Album cover for 1979

1979

Sanctuary

Documenting a pivotal year for the band, the LP set features Overkill, Bomber, and a pair of double-live albums.

Album cover for Old Dominion

Old Dominion

RCA

On their eponymous third album, Old Dominion ease into a collection of songs designed for romance and relaxation.

— Stephen Thomas Erlewine

Album cover for Thanks to You

Thanks to You

Darla Distribution

The band's third album harkens back to their '90s indie pop glory while adding new tricks, nearly topping their brilliant debut.

— Tim Sendra

Album cover for Pocket Moon

Pocket Moon

Grapefruit

Decades into a revered catalog, storied Omaha singer/songwriter offers up one of his best, most focused collections.

— Fred Thomas

Album cover for Nonlin

Nonlin

Ghostly International

Developed while on tour, Hauschildt's sixth solo album contains some of his most spontaneous-sounding work.

— Paul Simpson

Album cover for Anicca

Anicca

Brainfeeder

Adventurous producer returns after five-year hiatus with a mature collection of ethereal beat-forward ambience.

— Fred Thomas

Album cover for Old LP

Old LP

Universal

The band's first album in 22 years is a near-flawless blend of experience and exuberance.

— Heather Phares

Album cover for Activate Infinity

Activate Infinity

Edition / Edition Records

Here the trio provides ample, canny evidence that they are a fully integrated persona whose collective heart is full of jazz imagination.

— Thom Jurek

Album cover for The Fall: 1982

The Fall: 1982

Cherry Red

Extensive box set rounding up the Fall's 1982 output, most notably including the bleak masterpiece Hex Enduction Hour.

— Paul Simpson

Album cover for You Deserve Love

You Deserve Love

Elektra / Parlophone

The band dive deeper into '80s album rock and radio pop on this joyous slice of carefree good-time music.

— Tim Sendra

Album cover for Ode to Joy

Ode to Joy

dBpm

Jeff Tweedy and his bandmates return after a hiatus with brave, challenging music that searches for hope in dark times.

— Mark Deming

Album cover for Polyhymnia

Polyhymnia

Ropeadope

Accompanied by more than 30 players, the British-Bahraini composer and instrumentalist delivers a tribute suite to iconic women.

— Thom Jurek

Album cover for GUV II

GUV II

Run for Cover Records

After a volume of perfect power pop, Ben Cook delivers a set of songs that show off his mastery of a wide range of sounds.

— Tim Sendra

Album cover for Piggy Wings

Piggy Wings

Rock Action

A rousing and oft-hilarious career-spanning set of tracks by the noisy, off-kilter band from the '90s Scottish pop underground.

— Tim Sendra