Editors' Choice for October 2013

Album cover for Arborescence

Arborescence

ECM

The pianist chooses a quiet, mysterious, disciplined, and fascinating solo date for his headline debut on ECM.

— Thom Jurek

Album cover for One Breath

One Breath

Domino

Howling, flamenco pants-wearing, guitar-slinging Brit offers up a disquieting gem of a sophomore outing.

— James Christopher Monger

Album cover for Traces of You

Traces of You

Decca / Deutsche Grammophon / Universal

The sitarist/composer's album beautifully and holistically explores mortality and familial love through several musical traditions.

— Thom Jurek

Album cover for No Poison No Paradise

No Poison No Paradise

Fat Beats
Rap

More funky and dark than his previous effort, the rapper and producer is still in fine form as he searches for serenity.

— David Jeffries

Album cover for As Plantas Que Curam

As Plantas Que Curam

Other Music Recording Company

Channeling '60s Tropicalia with incredible accuracy, this band of Brazilian teenagers produces on of the year's most promising debuts.

— Fred Thomas

Album cover for 12 Stories

12 Stories

Superb debut by the country songwriter known for hits by Miranda Lambert, Kacey Musgraves, and the Band Perry.

— Stephen Thomas Erlewine

Album cover for Smoke and Mirrors

Smoke and Mirrors

ADA / Atlantic / F-Stop Records

Fewer pop touches and more of an acoustic approach, all of which allows this new set of songs to breathe.

— Steve Leggett

Album cover for Threace

Threace

Drag City

A hybrid of transcendent jamming and focused editing make this one of the more colorful and exciting releases from this funky psych act.

— Fred Thomas

Album cover for Static

Static

Columbia / Columbia Records

Madeline Follin and Brian Oblivion's breakup led to some of their most engaging and emotional music as Cults.

— Heather Phares

Album cover for Drone Logic

Drone Logic

Because Music

The debut from the U.K. techno producer is a throwback to the early-'90s glory days of well-crafted, musically challenging electronic albums.

— Tim Sendra

Album cover for Old

Old

Fool's Gold
Rap

Detroit rapper masterfully balances technical brilliance and bizarre tangents on this smart, funny, and effortlessly stunning album.

— David Jeffries

Album cover for Event 2

Event 2

Bulk Recordings
Rap

Thirteen years after the original conceptual classic, the Deltron crew return with a more high-profile blow against the empire.

— David Jeffries

Album cover for Paradise

Paradise

Concord

Garcia's brilliant sophomore album combines Latin troubadour romanticism with melodic, '60s-influenced folk-pop.

— Matt Collar

Album cover for Borrowed Time

Borrowed Time

Siltbreeze

Taking inspiration from stoner rock, shoegaze, and post-punk, Far Out Fangtooth make an impressive leap forward on their second full-length.

Album cover for Beautiful Rewind

Beautiful Rewind

Text

Heavily inspired by the fringes of U.K. club music, Kieran Hebden crams many ideas into a seemingly unfocused but thoroughly enjoyable set.

— Andy Kellman

Album cover for Interiors

Interiors

True Panther Sounds

Cameron Mesirow's second album explores the chambers within buildings and hearts in songs carefully engineered to hover and flow.

— Heather Phares

Album cover for Fanfare

Fanfare

Downtown / Downtown Records

The singer/songwriter's sophomore effort delivers an artful collection of lushly produced songs deeply inspired by the 1970s.

— Thom Jurek

Album cover for Rap Album One

Rap Album One

Stones Throw
Rap

The underground producer becomes an underground MC on this weird and wonderful debut.

— David Jeffries

Album cover for Folly

Folly

3 Loop Music

Following a 19-year absence, this quietly influential early college rock/shoegaze band returns with little change to its sound.

— Fred Thomas

Album cover for Ilp

Ilp

On his full-length debut, this London-based indie electronic producer drifts between lucid pop and abstract, dream-like textures.

— Fred Thomas

Album cover for Good Mood Fool

Good Mood Fool

Secretly Canadian

Fourth album from Here We Go Magic frontman moves from indie folk toward full-on soft rock-soul crooning. Think Steely Dan meets Billy Ocean.

— Tim Sendra

Album cover for Sooner or Later

Sooner or Later

K Records

This thorough retrospective collects vital live and studio recordings from one of Portland's pioneering all-female punk acts.

— Heather Phares

Album cover for Secret Songs

Secret Songs

Goner Records

The mask-wearing wildman's fourth album is his best yet; unstoppably catchy and full of rock & roll fun.

— Tim Sendra

Album cover for Shulamith

Shulamith

Mom + Pop Music

Channy Leaneagh and company return with frosty declarations of independence that make a fitting contrast to their debut's meditations on loss.

— Heather Phares

Album cover for My Name Is My Name

My Name Is My Name

G.O.O.D. Music
Rap

Pusha makes his solo debut with a stunning effort that combines his previous work with Clipse with the angst and art of Yeezus.

— David Jeffries

Album cover for '68

'68

Cuneiform Records

For fans of prog, Soft Machine, and the artist, this series of early and unreleased recordings is indeed a Holy Grail.

— Thom Jurek

Album cover for Man & Myth

Man & Myth

Bella Union

On his first new album in 13 years, the singer/songwriter is at the peak of his powers as a writer and singer.

— Thom Jurek

Album cover for Memorial

Memorial

Sargent House

Russian Circles continue to deliver emotionally complex instrumentals on their heavy and haunting fifth album.

— Gregory Heaney

Album cover for We Are the Dreamers

We Are the Dreamers

Graveface Records

Dream-inducing, dream-like, and dreamy neo-shoegaze debut from the duo behind Soundpool that's "curated" by Tobacco of Black Moth Super Rainbow.

— Tim Sendra

Album cover for Crosswords

Crosswords

Dot Dash

The noise pop duo's second album cuts down on the noise, adds some subtle nuances, and steps up the songwriting, which results in marked improvement.

— Tim Sendra

Album cover for Christs, Redeemers

Christs, Redeemers

Thrill Jockey

Experiments with noise, strings, and an accompanying choir make this one of the more interesting, ambitious sludge metal records of its type.

— Fred Thomas

Album cover for We Need Medicine

We Need Medicine

BMG Rights Management / Relativity

The Glasgow trio roars back from a lengthy hiatus with one of its most consistently engaging albums.

— Heather Phares

Album cover for Internal Sounds

Internal Sounds

Yep Roc

A big, ballsy, broken, and blisteringly solid offering from one of the Great White North's greatest exports.

— James Christopher Monger

Album cover for Weekend

Weekend

Arnioki Records

A joyous, dance-oriented blast of '80s-influenced new wave and post-punk from the Swedish outfit.

— Matt Collar

Album cover for Virgins

Virgins

Kranky

On his provocative seventh full-length, the electronic composer uses musicans in live settings to expand his sonic reach.

— Thom Jurek

Album cover for The Swamps

The Swamps

Captured Tracks

An enticing handful of songs that shows off the band's witchy charm and casual charisma at its finest.

— Heather Phares

Album cover for Sunset Blvd.

Sunset Blvd.

Delicious Vinyl
Rap

With beats from the late J Dilla, Illa J and Frank Nitt invite their favorite MCs over for a fun and soulful party.

— David Jeffries