Editors' Choice for November 2014

Album cover for Faith in Strangers

Faith in Strangers

Modern Love

The Manchester-based producer swaps digital for analog gear, retains vocalist Alison Skidmore, creates some of his harshest and gentlest sounds.

— Andy Kellman

Album cover for Allergic to Water

Allergic to Water

Righteous Babe Records

This intimate set was produced and mixed by the artist during the midnight hours with excellent songs and performances.

— Thom Jurek

Album cover for Xen

Xen

Mute

The producer's debut album delivers uniquely emotional, organic music that revels in its state of flux.

— Heather Phares

Album cover for Natural Selection

Natural Selection

No. 19 Music

A fascinating mix of next generation and retro, the dark Canadian duo's sophomore release is a synth pop and avant house wonder.

— David Jeffries

Album cover for 1992-1998

1992-1998

Numero Group

Complete studio recordings made during the lifespan of this beautiful and restrained Dallas slowcore quintet.

— Fred Thomas

Album cover for Cadillactica

Cadillactica

Def Jam
Rap

The rapper grows and stuns on his most eclectic and satisfying effort to date.

— David Jeffries

Album cover for Live in Memphis

Live in Memphis

Omnivore

Long-awaited release of the homecoming concert from Big Star's 1994 reunion tour, the only full-length show ever filmed by the band.

— Stephen Thomas Erlewine

Album cover for Avonmore

Avonmore

BMG / BMG Rights Management

A cannily seductive revival of Ferry's exquisitely melancholic and danceable '80s sound.

— Stephen Thomas Erlewine

Album cover for Clark

Clark

Warp

Warp mainstay Chris Clark returns to the tiles with invigorating techno and balances it with evocative ambient material.

— Andy Kellman

Album cover for Final Days

Final Days

Sacred Bones

Expanded into a concrete lineup, this long running goth-folk project has never sounded more exacting or driven.

— Fred Thomas

Album cover for La Isla Bonita

La Isla Bonita

Polyvinyl / Upset the Rhythm

Classic punk and funk are just a few of the elements the band incorporates into another engaging musical whirlwind.

— Heather Phares

Album cover for Haydn: Piano Sonatas

Haydn: Piano Sonatas

Onyx Classics

Kozhukhin's is both brilliant and daring, with the Piano Sonata in B minor, Hob. 16/32, scaled back, but still holding together convincingly.

— James Manheim

Album cover for Blues People

Blues People

Stony Plain

Modern acoustic blues that is calm, serious, warm, thoughtful, and wonderfully recorded.

— Steve Leggett

Album cover for Exit Verse

Exit Verse

Ernest Jenning

New power trio marks the return of ex-Karate songwriter Geoff Farina to springy rock sounds.

— Fred Thomas

Album cover for An Elephant

An Elephant

Happy Happy Birthday To Me Records

Taking on the story of Topsy the Elephant, the band delivers a rip-roaring, hook-filled concept album.

— Tim Sendra

Album cover for Power

Power

Fiction

The British artist's ambitious sci-fi concept album touches upon neo-psych, R&B, baroque pop, and EDM.

— Matt Collar

Album cover for First Demo

First Demo

Dischord Records

The seeds of future greatness are present in these vibrant 1988 demo recordings from the legendary D.C. punk heroes.

— Fred Thomas

Album cover for Girlpool

Girlpool

Wichita

Teenage guitar-and-bass punk duo from L.A. delivers a strong debut with heaps of attitude.

— Timothy Monger

Album cover for Ruins

Ruins

Kranky

Recorded in Portugal, this is some of the ambient artist's most vulnerable and beautiful music.

— Heather Phares

Album cover for Bestiary

Bestiary

Rhymesayers Entertainment
Rap

Aesop Rock and Rob Sonic return to their supergroup and offer an album on a Run the Jewels level.

— David Jeffries

Album cover for The Hum

The Hum

Weird World

The group's impressive second album has all the noise and fury of its first, but is also more focused and song-oriented.

— Tim Sendra

Album cover for Beautiful Life

Beautiful Life

Mack Avenue

A jazz saxophonist's loving tribute to his daughter who was killed in the Sandy Hook shootings in 2012.

— Matt Collar

Album cover for Second Comin'

Second Comin'

Cascine

The Swedish duo's second album is synthier, warmer, and more ebullient than their first, which is really saying something.

— Tim Sendra

Album cover for Sea Island

Sea Island

Kranky

Incorporating piano, violin, and vocals, the follow-up to Sketches from New Brighton builds on its riveting, sometimes unsettling, mood.

— Heather Phares

Album cover for Room

Room

Mack Avenue

An excellent conversational meeting between two very different jazz guitarists that juxtaposes energy and ideas in ten colorful presentations.

— Thom Jurek

Album cover for We Are Nots

We Are Nots

Ex-Cult / Goner Records

Old-school punk and bursts of out-there noise raucously coexist on this powerful debut from the Memphis garage punk quartet.

— Mark Deming

Album cover for Vivaldi: Pietà

Vivaldi: Pietà

Erato

Several things come together to make this work: the presence of Ensemble Artaserse, the program, and Jaroussky's voice, equally beautiful in its lower ranges.

— James Manheim

Album cover for Different Every Time

Different Every Time

Domino

This wonderful double-disc companion to Marcus O'Dair's biography is the first to authoritatively compile his solo and collaborative work.

— Thom Jurek

Album cover for Into Colour

Into Colour

Atlantic

The British singer/songwriter's third album of introspective, '60s and '70s-influenced soft pop.

— Matt Collar

Album cover for For You

For You

Hollywood

An excellent hits collection that spans her four albums from 2009 to 2013 and adds a couple newly recorded tracks.

— Tim Sendra

Album cover for Big Music

Big Music

Caroline

The Glaswegian legends go all the way back to 1979 and successfully wrap their roots and pop past together with 21st century dance rock.

— Thom Jurek

Album cover for Sargent Place

Sargent Place

Dine Alone

Languid but powerful late-night music from Josh Haden and Company, featuring his father Charlie Haden's final recordings.

— Mark Deming

Album cover for Sylvie

Sylvie

Light in the Attic Records

Debut album from the veteran music writer is a deceptively simple effort filled with charm, wisdom, and fine songs.

— Mark Deming

Album cover for The BBC Sessions

The BBC Sessions

Fire Records

Complete recordings from three mid-'80s Peel sessions made by this essential early indie band from New Zealand.

— Fred Thomas

Album cover for Shake Shook Shaken

Shake Shook Shaken

Wagram

The Finnish/French duo transforms itself into a sharp-edged electropop outfit with striking and often affecting results.

— Heather Phares

Album cover for Africa Avenue

Africa Avenue

Trouble in Mind

The Nashville time trippers' third album adds some new sounds to their psych pop revivalism: a little country, bossa nova, and German prog, to be exact.

— Tim Sendra

Album cover for Seeds

Seeds

Harvest

The band returns after the loss of bassist Gerard Smith with its most streamlined and empowering set of songs yet.

— Heather Phares

Album cover for Rhythm

Rhythm

The Leaf Label / Leaf Spain

Honed by consistent touring, the duo focuses on powerful vocals and percussion with stunning results.

— Heather Phares

Album cover for Innhverfi

Innhverfi

Morr Music

Debut release from Icelandic multi-instrumentalist and Sigur Rós live performer.