Editors' Choice for May 2021

Album cover for Live in Stuttgart 1975
Can

Live in Stuttgart 1975

Mute / Spoon

Cleaned-up audio of a fully improvised 1975 concert finds these Krautrock legends restlessly exploring and operating as a singular organism.

— Fred Thomas

Album cover for Revelation

Revelation

Real Gone Music

The final Black Jazz album from Doug and Jean Carn expands the meld of spiritual jazz and soul of their earlier outings.

— Thom Jurek

Album cover for Presentable Corpse 002

Presentable Corpse 002

O Genesis / Republic of Music

Wonderfully lush and jangly retro-psych-pop that juxtaposes lush melodies with lyrics that revolve around the horrors of the Vietnam War.

— Tim Sendra

Album cover for Hella Love

Hella Love

Hardly Art

A bewitching mix of soft Latin pop ballads, singer/songwriter tenderness, and sonic adventurism played and sung with understated beauty.

— Tim Sendra

Album cover for January Flower

January Flower

Tomorrow Music

Written while in isolation in Joshua Tree, Kearney's sixth album is rife with a poignant warmth.

— Matt Collar

Album cover for The Blue Elephant

The Blue Elephant

Acid Jazz

The musical polymath adds another style to his growing list of conquests; this time it's proggy psychedelia circa 1969.

— Tim Sendra

Album cover for Reprise

Reprise

Deutsche Grammophon

The electronic pioneer reflects on three decades with a gorgeous orchestral reimagining of hits and deep cuts.

— Neil Z. Yeung

Album cover for Imaginary Everything

Imaginary Everything

Mello Music Group
Rap

Namir Blade's urgent, bluntly honest narratives mesh with L'Orange's intoxicating psychedelic blues tracks on this successful collaboration.

— Paul Simpson

Album cover for Take the Cake

Take the Cake

Fire Talk

Toronto's Madeline Link and band deliver a set of moody, sludgy, under-three-minute earworms for a compelling full-length debut.

— Marcy Donelson

Album cover for Came Down Different

Came Down Different

Bar/None Records

The third album from this inventive and angular guitar-pop band reconfigures the influence of flagship indie bands in unexpected ways.

— Fred Thomas

Album cover for Black to the Future

Black to the Future

Impulse!

On this almost uncategorizable musical milestone, the band and guests move across Black history and create an already present future.

— Thom Jurek

Album cover for Bright Green Field

Bright Green Field

Warp

The U.K. band's invigorating debut is an energetic shouting match of new wave, Krautrock, and post-punk.

— Timothy Monger

Album cover for PostHuman

PostHuman

Soul Jazz

The Arizona-based group's cinematic fourth album packs a wealth of ideas into 18 tracks without losing their focus.

— Paul Simpson

Album cover for Van Weezer

Van Weezer

Atlantic

A salute to the oversized hooky hard rock of the early 1980s.

— Stephen Thomas Erlewine