Editors' Choice for May 2014

Album cover for Love

Love

Sacred Bones

The pastoral psych-folk of Amen Dunes' third album is imbued with a strange grace and yearning.

— Heather Phares

Album cover for Runaway's Diary

Runaway's Diary

Archer Records

On her first offering in four years, the singer, songwriter, and bassist delivers a fine, rootsy, concept record about restlessness.

— Thom Jurek

Album cover for Wild Crush

Wild Crush

Domino

Combining the feral power of its early work and the danceable feel of Coconut, the group synthesizes its past into a brilliantly realized present.

— Tim Sendra

Album cover for Southsiders

Southsiders

Rhymesayers Entertainment
Rap

Mature and less mad at the world, the indie hip-hop duo now navigates the dreck and depression of everyday life with flair and wisdom.

— David Jeffries

Album cover for A U R O R A

A U R O R A

Bedroom Community / Mute

Composed in the Eastern Democratic Republic of Congo, this dark, menacing set is the enigmatic composer's masterpiece thus far.

— Thom Jurek

Album cover for Mahler: Lieder

Mahler: Lieder

Harmonia Mundi

Bernarda Fink offers a representative selection of Gustav Mahler's art songs on this 2014 Harmonia Mundi release.

— Blair Sanderson

Album cover for data Panik etcetera
bis

data Panik etcetera

Do Yourself In

Collection of songs from the post-split mid-2000s when they were known as Data Panik, plus unreleased cuts from the band's aborted fourth album.

— Tim Sendra

Album cover for III

III

Stolen

Third album from this Japan-via-London psych act moves from manic explosions to melancholic space rock explorations.

— Fred Thomas

Album cover for Punica Fides

Punica Fides

Bear Funk

Turning away from his Italo-disco fixation, the Italian producer returns with a poppier, fresher, and more House-inspired sound.

— Tim Sendra

Album cover for Our Year

Our Year

Premium / Premium Records

On their sophomore duet outing, this husband and wife deliver a soulful take on traditional (not retro) country music.

— Thom Jurek

Album cover for Ghost Stories

Ghost Stories

Atlantic / Parlophone

A slow, sweet, and lush collection of comfort music from the increasingly melodic arena rock band.

— Stephen Thomas Erlewine

Album cover for Soul Power

Soul Power

Burger Records
R&B

A satisfying set of classic-style soul with a modern edge, with outstanding vocals and lean, rock-influenced arrangements.

— Mark Deming

Album cover for EP2

EP2

Young Turks

Tahliah Barnett's second handful of trip-hop-tinged songs is even more musically lush and lyrically raw.

— Heather Phares

Album cover for Amplified Soul

Amplified Soul

Shanachie
R&B

Another high-quality, double-length set from the U.K.'s premier jazz-R&B group, featuring a cover of Atlantic Starr's "Silver Shadow."

— Andy Kellman

Album cover for Wine Dark Sea

Wine Dark Sea

Anti-

The singer/songwriter, buoyed by three guitarists, horns, reeds, and two drummers, deftly and provocatively explores American roots music.

— Thom Jurek

Album cover for Lou

Lou

Vanguard

The innovative New York songwriter's acoustic tribute album to Lou Reed is a reverent and subtly crafted gem.

— Timothy Monger

Album cover for Lighght

Lighght

Joyful Noise

Rainbow-colored, classical-infused electro-pop that's as dense as it is effervescent.

— James Christopher Monger

Album cover for Hour of the Dawn

Hour of the Dawn

Hardly Art

Adding some punk snarl and Pretenders swagger to their sound, the group's third album is a tough slice of mascara pop.

— Tim Sendra

Album cover for The Nihilist

The Nihilist

Yep Roc

Finn dives headfirst into a wild studio-crafted pop universe on an album that takes his songwriting smarts in a new direction.

— Mark Deming

Album cover for New York in the '70s

New York in the '70s

Cherry Red

Haines completed his psychedelic trilogy with a "mythic re-imagining of the New York rock and roll scene 1972-1979."

— James Christopher Monger

Album cover for I Never Learn

I Never Learn

Atlantic

The Swedish singer/songwriter delivers a beautifully glacial set of break-up ballads on her strong third release.

— Timothy Monger

Album cover for Changing Light

Changing Light

Absolute Magnitude Recordings / K Records

Fifth album from this indie songwriter reflects the aftermath of a harrowing breakup with gorgeous arrangements and production.

— Fred Thomas

Album cover for Incursio

Incursio

Software

Debut album from instrumental hip-hop producer that follows in the footsteps of some of the greats of the genre.

— Fred Thomas

Album cover for In Conflict

In Conflict

Domino

Pallett's fourth long-player exists somewhere in between the sugary opulence of Kishi Bashi and the chilly refinement of Homogenic-era Björk.

— James Christopher Monger

Album cover for Youth Culture Forever

Youth Culture Forever

FatCat Records

Second album from this '90s-inspired indie rock trio takes small steps toward a more mature sound.

— Fred Thomas

Album cover for Reachy Prints

Reachy Prints

Warp

The pioneering electronic duo's sixth album distills and updates the brainy whimsy of their late-'90s heyday for the 21st century.

— Heather Phares

Album cover for Fortuna

Fortuna

Carpark Records

The band's move to London inspired these moody, oddly endearing portraits of upheaval set to swirling psych pop.

— Heather Phares

Album cover for Do It Again

Do It Again

Cherrytree Records / Royksopp / Universal

The longtime collaborators reunite for a mini-album of electronic pop that's as playful and sophisticated as their best work on their own.

— Heather Phares

Album cover for Cavalo

Cavalo

Easy Sound Recording Company

Brazilian songwriter and member of Los Hermanos, Orquestra Imperial, and Little Joy turns in a wonderfully understated debut.

— Timothy Monger

Album cover for To Be Kind

To Be Kind

Young God

Another epic-scale salvo from these noise-rock pioneers, slightly less dark than their best-known work but no less intense.

— Mark Deming

Album cover for Sound Mirror

Sound Mirror

Harvest / Virgin EMI

The prog- and psych-leaning Canterbury foursome up their game with an impressive sophomore release.

— Timothy Monger

Album cover for Turn Blue

Turn Blue

Nonesuch

The Ohio blues-rock duo gets soulful and spacy on the follow-up to their 2011 blockbuster El Camino.

— Stephen Thomas Erlewine

Album cover for What's Left Is Forever

What's Left Is Forever

Blue Note / Manhattan Records

The Norwegian singer/songwriter enlists producer Larry Klein and L.A. session greats on a sophisticated, trippy exercise in luxuriant, soulful pop

— Thom Jurek

Album cover for Ultima II Massage

Ultima II Massage

Ghostly International

Sitcking with the abrasive side of his warped synth pop, the Black Moth Super Rainbow frontman's third solo album is a fun blast of weirdness.

— Tim Sendra

Album cover for Committed to the Ground

Committed to the Ground

Southern Lord Records

Oscillating between crawling doom and furious grindcore, the band's Southern Lord debut shows that there's more to their sound than speed.

— Gregory Heaney

Album cover for Nikki Nack

Nikki Nack

4AD

tUnE-yArDs' third album thrives on contradictions, delivering some of the duo's most challenging yet accessible music.

— Heather Phares

Album cover for Sunrunner

Sunrunner

Trouble in Mind

Spacy, richly satisfying fusion of prog rock, psychedelia, and electronics from Chicago-based sonic experimentalists.

— Mark Deming

Album cover for Farmer's Corner

Farmer's Corner

Fire Records

Softly lit, mellow acoustic roots folk excellence from this highly prolific and ever-changing indie songwriter.

— Fred Thomas

Album cover for ∞ (Infinity)

∞ (Infinity)

Mute

Inspired by Iceland, the Faroe Islands, and his home base of Brittany, the composer's eighth album is one of his most ambitious and heartfelt.

— Heather Phares

Album cover for Easy Pain [LP]

Easy Pain [LP]

Temporary Residence

Moody and ominous, the noise rock trio dive deeper down the atmospheric rabbit hole on their fourth album.

— Gregory Heaney