Editors' Choice for July 2022

Album cover for Beatopia

Beatopia

Dirty Hit

The singer/songwriter's second album is a musical sanctuary where she confronts her past and tries out new sounds.

— Heather Phares

Album cover for Emotional Creature

Emotional Creature

Mom + Pop Music

Melancholy and inspiring, heartbroken and resolute, this is perfectly produced emo(tional) pop with great songs, and in Lili Trifilio, an impressive songwriter and vocalist.

— Tim Sendra

Album cover for Bloodline Maintenance

Bloodline Maintenance

Chrysalis Records

Ben Harper explores generational traditions and cultural trauma on an album reminiscent of peak Curtis Mayfield.

— Stephen Thomas Erlewine

Album cover for Florist

Florist

Double Double Whammy

Split between songs and instrumentals, an immersive, poignant fourth LP that finds the band reuniting for sessions on a porch with stunning results.

— Marcy Donelson

Album cover for Tresor

Tresor

Heavenly

The Welsh artist's third album is a contemplative, subdued take on the experimental pop of previous releases, though it still contains much mystery and beauty.

— Tim Sendra

Album cover for In Tense

In Tense

Whirlwind Recordings

The New York bassist delivers an imaginative and reflexive therapeutic second outing as bandleader.

— Timothy Monger

Album cover for Entering Heaven Alive

Entering Heaven Alive

Third Man Records

The counterpart to Fear of the Dawn is a relaxed yet vibrant collection that finds Jack White in a fresh, inventive state.

— Stephen Thomas Erlewine

Album cover for Slingshot

Slingshot

Captured Tracks

A vibrant and stylistically diverse second outing from the crafty Winnipeg artist.

— Timothy Monger

Album cover for Dance Ancestral

Dance Ancestral

Stones Throw

The composer and keyboardist delves deeply into electronics to offer a musical meditation on the unfolding of an ordinary day in the life.

— Thom Jurek

Album cover for Happening

Happening

Ghostly International

Co-produced by Sonny DiPerri (My Bloody Valentine, DIIV), the debut of melodic shoegaze afficionado John Cudlip impresses with songs as well as sound.

— Marcy Donelson

Album cover for Found Light

Found Light

Bella Union

With a new co-producer and greater sense of creative freedom, the indie folk heroine sounds delighted to explore fresh territory.

— Mark Deming

Album cover for Surrender

Surrender

Capitol

The singer follows her acclaimed debut with a '90s alt rock-influenced album marked by a feeling of defiant, sensual joy.

— Matt Collar

Album cover for Formentera

Formentera

Metric

A reaction to the COVID-19 pandemic that's tragic, uncertain, and true; their best album yet and a stadium indie triumph.

— Tim Sendra

Album cover for Giant Palm

Giant Palm

Sub Pop

The former Goat Girl member's debut album blends folk, classical, jazz, and electronic influences into songs with an independent yet generous spirit.

— Heather Phares

Album cover for The Last Goodbye

The Last Goodbye

Foreign Family Collective / Ninja Tune

The successful indie electronic duo return with a slightly more club-ready, progressive house-leaning fourth album.

— Paul Simpson

Album cover for Reboot

Reboot

Blue Note

The 1970s organ icon returns to Blue Note after an over-30-year absence with a funky, textural trio album.

— Matt Collar

Album cover for personal best

personal best

FatCat Records

The band return from a lengthy hiatus with an album that's in step with the 2020s post-punk revival and true to their individuality.

— Heather Phares

Album cover for Isoviha

Isoviha

Planet Mu

Vladislav Delay channels the unceasing activity of city life on the counterpart to his Rakka releases.

— Paul Simpson

Album cover for Male Models

Male Models

Western Vinyl Records

Brooklyn act invites guests to contribute to this sonically and lyrically dense album, which includes appearances by members of Dirty Projectors, Counting Crows, and more.

— Fred Thomas

Album cover for Loggerhead

Loggerhead

Warp

Gradually rising South Londoner with his zeitgeist-seizing first album for Warp Records.

— Andy Kellman