Editors' Choice for January 2025

Album cover for Force Majeure

Force Majeure

Heavenly Recordings

The second album by the Australian group is gloriously hard rocking and guitar forward while also showing off a more subtle, poppy side.

— Tim Sendra

Album cover for In Love Again

In Love Again

Tapete Records

The second album from this London-based foursome is a winning exercise in pure pop songwriting with noisy guitars for seasoning.

— Mark Deming

Album cover for 6

6

Is It Jazz?

The Norwegians return to the trio format to deliver a winding, provocative, and playful exercise in musical diversity and sophistication.

— Thom Jurek

Album cover for Heard Noises

Heard Noises

Acid Jazz

Full of intricate arrangements and heartfelt sentiments, the album tracks the artist's immense and continuing growth as a musician, songwriter, and vocalist.

— Tim Sendra

Album cover for Look Up

Look Up

Lost Highway / UMG Nashville / Universal

The Beatles' leading country fan records a rootsy, down-home LP that's warm, wise, and thoroughly satisfying.

— Mark Deming

Album cover for Sol y Sombra

Sol y Sombra

Thrill Jockey

The fifth album from this space-aged country jam band continues the slow but steady evolution of their cosmic Americana sound.

— Fred Thomas

Album cover for Salt River

Salt River

River Lea Recordings

The avant-folk doyen seamlessly mixes Appalachian balladry, Irish folk, Ornette Coleman, Yoko Ono, and more on his move to River Lea Recordings.

— Marcy Donelson

Album cover for Héritage

Héritage

Transgressive

The Malian desert blues group explores its roots, primarily performing with traditional acoustic instruments.

— Paul Simpson

Album cover for Humanhood

Humanhood

Fat Possum Records

On their seventh album, Tamara Lindeman and company document the messiness of human nature with eloquence, compassion, and thrilling physicality.

— Heather Phares

Album cover for C92
Various Artists

C92

Cherry Red

Cherry Red's year-by-year series documents the point in time when shoegaze had peaked and Britpop was about to emerge.

— Paul Simpson