Members of Burnt Palms, Lunchbox, and Kids on a Crime Spree make a not-to-be-missed trio debut for fans of punk-leaning D.I.Y. indie pop.
An ambitious mix of intimate acoustic, club-fit electro, and sweeping orchestral pop marks the Norwegian's mythology-themed fourth album.
The Liverpool trio teams up with the Radiophonic Workshop on a fascinating live rescoring of the cult classic 1973 animated sci-fi film.
The Canadian rock stalwarts process societal issues big and small with this lean burst of punk-inflected anthems.
![Album cover for We Are Ever So Clean [Expanded Edition]](https://fastly-s3.allmusic.com/release/mr0005534194/front/220/3hOphCF9_YB8_HLBnd05yN_M69_UI9rrJSVvWL2-yAg=.jpg)
Reissue of this obscure chamber psych album from 1967 is filled out with 27 additional bonus tracks, including demos, live tracks, and BBC sessions.
With a little help from their friends, the longtime Drag City artists collaborate for the first time in decades on an entertaining and moving set of covers.
A deep dive into Mendelssohn quartets, as far as can be imagined from the usual delicate readings.
The indie jam band sextet discovers a more ambitious sound with production help from Matt Sweeney.
Ambitious, genre-spanning project from Tom Middleton (Global Communication) that explores themes related to artificial intelligence and space travel.
On his sophomore offering, the alto saxophonist and composer asks and entertains an audacious question: What if God joined the band?
The North Carolinian turns in another marvelous and deeply charming LP of obscure folk songs and a handful of originals.
A standout figure in psychedelic folk circles adds a completely new and unexpected dimension to her craft with this album of synth experiments and electronically augmented arrangements.
A joyfully noisy, happily hooky, and sneakily political second album that builds nicely on the band's almost perfect debut.
Still tight with Leon Michels, Nicole Wray augments fine contemporary soul singles dating back to 2019 with fresh material up to the same standard.
New music from the nonagenarian Crumb finds him breaking new ground and supervising a superb realization of his work.
Hour-long collection of non-album works from master harpist Mary Lattimore, ranking among the best of her solo releases.
The Last Shadow Puppets co-leader brings a frothy, glitter-punk swagger to his ebullient fourth album.
Sprinkling sunlight and variety (loud guitars, sparkling pop) into her melancholy musical mix proves to be a magical move that's a striking reboot for Nilsson.
Near-faultless audio companion to the crucial Questlove-directed documentary on the 1969 Harlem Cultural Festival.
The Mexico City-based songstress delivers a simply rendered set of emotionally powerful songs that reflect tradition but are not traditional.
The moodily autumnal psych combo return from a break with their most assured and song-based album to date.
Abel Tesfaye indulges his frantic romantic side with numerous synthesizer-powered '80s flavorings on his follow-up to After Hours.
Singer Matthew Murphy's hedonism and self-loathing make for literate and engaging '90s-style Brit-pop on the U.K. band's fifth album.
The first of two volumes of singles compiled from the independent Memphis gospel label in the 1970s.
Singer Olly Alexander's first solo album as Years & Years is a sleek disco- and house-infused production.