The vocal ensemble Alamire joins the viol consort Fretwork in this well-balanced portrait of 16th century English composer Thomas Tallis.
Splitting the difference between retro-Southern soul and Van Morrison, Anderson East comes up with a minor gem.
A handsomely packaged box of the guitarist and songwriter's first four albums, with new (and original) liner notes and previously unseen photos.
Live recordings from January 1973 that capture the rock & roll side of this legendary power pop group.
On their first effort in six years, the trio traverse folk songs, classical pieces, and a slew of originals with lyricism and brilliant colors.
The band's trip to Northern California results in songs that are by turns gentle and bold, traditional and boundary-pushing.
Christophe Rousset plays the first book of the Pièces de clavecin by celebrated French harpsichordist Claude-Bénigne Balbastre.
Handel's Ode for St. Cecilia's Day and the Concerto grosso in A minor receive period-style interpretations from Daniela Dolci and Musica Fiorita.
The fourth volume of the Elias String Quartet's survey of Beethoven's string quartets presents Nos. 2, 7, and 12 in live recordings.
The Söderberg sisters follow up their major-label debut, Stay Gold, with a breakup album that draws power from discontent.
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With the addition of Lindsey Buckingham and Stevie Nicks, Fleetwood Mac became a pop band.
Riley has received less attention than Glass or even Reich. This makes a case that such neglect is misguided.
British reggae singer and former Slits member Hollie Cook turns in her strongest album yet, with the help of super-producer Youth.
On her first solo album since 2009, the songwriter looks with empathy, openness, and poignant reflection at the past and how it informs the present.
An exuberant, deeply felt sophomore album of genre-bending jazz, gospel, and R&B from the award-winning vocalist and drummer.
This 2017 concert recording by John Nelson and the Orchestre philharmonique de Strasbourg presents Berlioz's Les Troyens in its entirety.
Much of Saint-Saëns' prolific output contains gems; a thoroughly enjoyable three-quarters of an hour of music.
Truly exceptional, revelatory album of avant-garde devotional synth pop songs recorded by new age pioneer Laraaji in 1984.
Marc-André Hamelin and Leif Ove Andsnes serve up an all-Stravinsky program of works for two pianos, leading off with Le Sacre du printemps.
On her tenth album, the singer/songwriter collaborates with military veterans and their care givers in relating their poignant experiences.
The long-running indie pop band has never sounded more muscular or melodic, making this the group's best record yet.
Matthias Goerne joins Daniel Harding and the Swedish Radio Symphony Orchestra as he sings Wagnerian roles in this sampler from Harmonia Mundi.
Jack Dangers and his cohorts return with another strong album of crunchy electro beats, spacy ambient synths, and social commentary.
This trio with pianist Nelson Ayres and mallet percussionist Rob Waring explores melodic improvisation and group interplay with verve and elegance.
A new label doesn't change much for the L.A. duo, and this is another thrilling blast of noise rock and shoegaze thrills.
On the first LP following the departure of Austin Carlile, the Aaron Pauley-led OM&M defy doubts with pure power and melody.
This is a bold experiment with one of the intellectual landmarks of classical music, using different combinations of instruments throughout.
The New Zealand group's second album adds some needed energy and grit to their classic jangle pop sound.
The trio's frequently dazzling third album is a joyous celebration of post-punk's outsider status.
The sophisticated results of a monthly collaboration with self-imposed deadlines sound far from rushed or rote.
A nicely recorded Debussy recital that will repay repeated listenings.
An engaging, fusion-soaked collaboration between the legendary jazz keyboardist and acclaimed drummer.
Recorded at home in 1990 with bandmate Jowe Head, this batch of Daniel Treacy demos shows the eccentric genius at his oddly affecting best.
Another exuberant blast of life-affirming, heartwarming fun that adds some marching band swagger to their trademark sunny indie pop/hip-hop/funk sound.
Sole album from this prep-school garage band is a surprisingly accomplished set of thoughtful originals and inspired covers.
The group's third album ups the sonic power and hook quotient while staying true to their emotional truth and noise pop roots.
The duo's vibrant fourth album explores the political and cultural tumult of the late 2010s with anthemic heft and individualistic perspectives.
Broad, expansive album is an eclectic vision of rock's past and present as seen through the eyes of the garage punk hero.
Vasily Petrenko and the Royal Liverpool Philharmonic present an album of works by Debussy, Rachmaninov, and Stravinsky on the theme of spring.
Frang pays homage to the early 20th century's great violinists with the pieces they played as short encores.
Lionel Meunier leads Vox Luminis in period-style performances of Bach's Magnificat in D major and Handel's Dixit Dominus.
This hybrid SACD presentation by Andrés Orozco-Estrada and the Frankfurt Radio Symphony Orchestra makes Strauss' Salome a vivid audio showcase.