Editors' Choice for January 2014

Album cover for Ghettoville

Ghettoville

Werkdiscs

Even bleaker, more industrial, and decayed than Darren Cunningham's previous set of experimental electronic music.

— Andy Kellman

Album cover for Shelter

Shelter

Prophecy / SPKR / Weltnetz

On this deliberate homage to shoegaze, this influential French outfit casts off all metal influences and delivers an album of beauty and excess.

— Thom Jurek

Album cover for Recovery

Recovery

eOne
R&B

The mature R&B singer and songwriter's second album has much more to offer than her merely enjoyable 2008 debut.

— Andy Kellman

Album cover for Eve

Eve

429 Records

The Beninese singer and songwriter returns after nearly four years with her most ambitious recording to date.

— Thom Jurek

Album cover for Sacred Verdi

Sacred Verdi

Warner Classics

The Chorus of the Accademia Nazionale di Santa Cecilia excels here, aided by Pappano to realize the full dynamic range.

— James Manheim

Album cover for Grassed Inn

Grassed Inn

Fire Records

These streamlined, hook-laden songs make Blank Realm's fourth full-length some of the band's finest music.

— Heather Phares

Album cover for The Game

The Game

Rounder / Rounder Records

Another fine set that shows off Blue Highway's intelligent songwriting and precision playing.

— Steve Leggett

Album cover for Come to Life

Come to Life

Young One
Rap

The edgy Memphis rapper uses the strange sound of cloud rap to create something poignant and positive.

— David Jeffries

Album cover for Doug Tuttle

Doug Tuttle

Trouble in Mind

Solo debut from former Mmoss guitarist is a superb lo-fi voyage through one man's post-breakup depression.

— Mark Deming

Album cover for Too True

Too True

Sub Pop

Casting aside noise pop in favor of a slick post-punk-inspired sound, this is the Girls most accomplished, and best, record to date.

— Tim Sendra

Album cover for Bad Debt

Bad Debt

Paradise of Bachelors

The reissue of this lost album and spiritual classic contains bonus material and the original versions of well-known songs.

— Thom Jurek

Album cover for Chiaroscuro

Chiaroscuro

Bella Union

The band's second album tosses aside any traces of shoegaze in favor of an all-encompassing synth pop gloom that is deeply, darkly emotional.

— Tim Sendra

Album cover for Held in Splendor

Held in Splendor

Mexican Summer

Working with Woods' Jarvis Taveniere, Quilt bring more depth and dimension to their kaleidoscopic psych pop.

— Heather Phares

Album cover for Disguised Vultures

Disguised Vultures

Metal Blade

A 40-minute bar fight soundtrack that offers up classic Sunset Strip sleaze metal with a Viking-punk twist.

— James Christopher Monger

Album cover for Moon

Moon

Bella Union / Love Da Records

Simon Raymonde's first project since the Cocteau Twins delivers dream pop that's gorgeous and distinctive enough to be a worthy successor.

— Heather Phares

Album cover for Divine Ecstasy

Divine Ecstasy

Dovecote Records

The Chicago duo offers a sublime and smooth album with help from vocalists Mahaut Mondino, Haleek Maul, and Channy from Poliça.

— David Jeffries

Album cover for Into the Lime

Into the Lime

One Little Indian

The debut album by Toronto's indie pop supergroup is full of the top-notch songwriting and arrangements expected from members of Teenage Fanclub, the Pernice Brothers, and the Sadies.

— Timothy Monger

Album cover for Warpaint

Warpaint

Rough Trade

The band's self-titled second album gives more shape to Warpaint's alluringly hypnotic haze.

— Heather Phares