Editors' Choice for February 2020

Album cover for Map of the Soul: 7
BTS

Map of the Soul: 7

Big Hit / Big Hit Records

The K-pop septet dives into concepts of identity and self through fame, relationships, and Jung.

— Neil Z. Yeung

Album cover for DNA

DNA

Because Music

A scientifically conscious space-disco epic from the French dance pioneer, recalling his visionary work from the late 1970s.

— Paul Simpson

Album cover for Supermoon

Supermoon

Barsuk

An infectious five-song EP of finished recordings cut from 2019's Young Enough -- but definitely not due to quality issues.

— Marcy Donelson

Album cover for Dance Without Me

Dance Without Me

Ghostly International
R&B

The Chicago duo's self-assured debut album brings more depth -- and lightness -- to their ultra-smooth blend of R&B, dance, and pop.

— Heather Phares

Album cover for Anywhere But Here

Anywhere But Here

Kill Rock Stars / Muddguts

Sophomore album from Brooklyn garage pop band finds them developing both their songwriting hooks and willingness to explore.

— Fred Thomas

Album cover for Human Again

Human Again

Italians Do It Better

Haunting dream pop tunes and cinematic instrumentals composed during the Australian musician's constant touring as part of Bryan Ferry's band.

— Paul Simpson

Album cover for I Think I'm Good

I Think I'm Good

Brownswood

The New York-based drummer and backpack producer takes on the subject of mental illness while further dissolving boundaries between jazz and hip-hop.

— Thom Jurek

Album cover for Loom

Loom

Houndstooth

The producer's painful, beautiful, and powerful tribute to her late mother engulfs listeners in her grieving process.

— Heather Phares

Album cover for Man Alive!

Man Alive!

True Panther Sounds

Archy Marshall again turns on the bleak charm for the third and most outward-looking album under his foremost alias.

— Andy Kellman

Album cover for Splid

Splid

Rise Records

The studio debut for vocalist Ivar Nikolaisen, the Norwegian black metallers pick right up where 2016's Nattesferd left off and never look back.

— James Christopher Monger

Album cover for Texas Sun

Texas Sun

Dead Oceans
R&B

The well-matched Lone Star State natives, previously touring partners, take a short romantic detour.

— Andy Kellman

Album cover for Never Not Together

Never Not Together

Barsuk

A literate, deeply philosophical and ambitious album, rife with power pop shimmer and moments of poetic introspection.

— Matt Collar

Album cover for Here Be Dragons

Here Be Dragons

ECM

On his ECM debut, the composer and saxophonist leads his quartet through a series of intimate, resonant, and elegant musical conversations.

— Thom Jurek

Album cover for Ordinary Man

Ordinary Man

Epic

The first solo album in ten years from this longstanding icon of metal is surprisingly spontaneous and energetic.

— Fred Thomas

Album cover for From This Place

From This Place

Nonesuch

The jazz composer and guitarist assembles a new quartet and orchestra on his first recording of new studio material in six years.

— Thom Jurek

Album cover for Alter Ego

Alter Ego

Sony Music

On his sixth album, the "prince of bachata" delivers a sprawling double-length record chock-full of hit singles and soulful new directions.

— Thom Jurek

Album cover for The Main Thing

The Main Thing

Domino

With their fifth full-length, New Jersey indie band turns in their most mature and complex set of songs to date.

— Fred Thomas

Album cover for Quadra

Quadra

Nuclear Blast

For the first time in two decades, the Brazilian metal outfit's 2020 album displays the power, aggression, and sophistication of their earliest work.

— Thom Jurek

Album cover for color theory

color theory

Loma Vista

The lyrically heavy follow-up to Sophie Allison's breakthrough debut has production inspired by the idea of coming across an old cassette tape.

— Marcy Donelson

Album cover for Hyacinth

Hyacinth

Domino / Geographic

The band's second album is a wild, woolly, and weird trip that pushes them past the restrained melancholy of their fine debut towards something magical.

— Tim Sendra

Album cover for The Slow Rush

The Slow Rush

Interscope

The band's fourth album delves smoothly into elegant disco, echoing chillwave, and Madchester beats while also dealing with serious lyrical concerns and big emotions.

— Tim Sendra

Album cover for Swimmer

Swimmer

Mutually Detrimental

The long-running indie pop duo tweak their dreamy, romantic sound a bit here and there while still delivering the sonic and emotional goods.

— Tim Sendra

Album cover for Infinity of Now

Infinity of Now

Madlib Invazion

Returning after a three-year break, this outfit combines psych, Afro-beat, broken beat, funk, jazz, and Eastern sounds in an exotic and heavy sonic stew.

— Thom Jurek

Album cover for The Big Exercise

The Big Exercise

Sub Pop

The Dutch trio's excellent Sub Pop debut is a mesmerizing amalgam of post-punk precision, pop melodicism, and lean psychedelia.

— Timothy Monger

Album cover for Disco Volador

Disco Volador

Heavenly

The band's second album is another thrilling, breathtaking blend of '90s indie, disco funk, and youthful exuberance.

— Tim Sendra

Album cover for Mission Bells

Mission Bells

Tapete Records

The band's second album in a year strips down their already restrained sound to find hidden emotional depths amid the still-pretty melodies and whispered vocals.

— Tim Sendra

Album cover for C90
Various Artists

C90

Cherry Red

Another entry in Cherry Red's year-by-year look at the U.K. pop underground captures a scene being pulled in many fascinating directions.

— Tim Sendra