Editors' Choice for February 2015

Album cover for Beyond the Red Mirror

Beyond the Red Mirror

Nuclear Blast

The veteran German power metal outfit's first album in five years and a sequel to their much loved 1995 offering Imaginations from the Other Side.

— James Christopher Monger

Album cover for Shadows in the Night

Shadows in the Night

Columbia

Dylan rearranges ten selections from the Great American Songbook -- all recorded by Sinatra, if not necessarily identified with him -- for his five-piece road band.

— Stephen Thomas Erlewine

Album cover for Medallion

Medallion

Glad I Did Recordings

A heartfelt and honest audio treatise on life, loss, love, and death that you can kind of dance to.

— James Christopher Monger

Album cover for Stargazer

Stargazer

Candigirl
R&B

The Foreign Exchange associate's third album is her best set of modern, mature R&B yet.

— Andy Kellman

Album cover for Fortune

Fortune

20 / 20/20/20

Serving as a soundtrack to Naomi's short film of the same name, the duo's eighth album is intimate and effortlessly moving indie pop.

— Tim Sendra

Album cover for Chants for Socialists

Chants for Socialists

Where It's At Is Where You Are

The prolific British singer/songwriter marries thoughtful indie pop and folk traditions to 19th century political chants by social activist William Morris.

— Timothy Monger

Album cover for Heavy Love

Heavy Love

Heavenly

On his fifth solo album, the British singer/songwriter and guitar slinger delivers a darkness-drenched future blues.

— Thom Jurek

Album cover for O Shudder

O Shudder

Memphis Industries

The band's fourth album delivers remarkably confident-sounding portraits of twenty-something uncertainty.

— Heather Phares

Album cover for We Fall

We Fall

Interscope / Polydor

Cross-generational guest vocalists distinguish this '60s pysch-Baroque pop-soaked debut from the producer.

— Matt Collar

Album cover for Skullsplitter

Skullsplitter

Constellation

In a finely crafted, intimate set of vocal and instrumental ballads, the guitarist and songwriter juxtaposes accessibility and experimentation.

— Thom Jurek

Album cover for Creatures

Creatures

InFiné

The French-born producer mixes the serene, the cinematic, and the otherworldly on this excellent third album.

— David Jeffries

Album cover for La Visite

La Visite

Versatile

The second solo album from one-half of Zombie Zombie delivers a more danceable update on his atmospheric tech-house.

— Heather Phares

Album cover for Blackbirds

Blackbirds

Proper Records

After entering the Nashville Songwriter's Hall of Fame, the artist delivers a wide-ranging, career-defining album.

— Thom Jurek

Album cover for Ibeyi

Ibeyi

XL

The killer debut from French-Cuban twins who wed Afro-Cuban sounds and rhythms to electro doom soul.

— Thom Jurek

Album cover for Los Dúo

Los Dúo

Fonovisa

El Divo of Juarez returns to the studio to reimagine many of his hits with an all-star cast of vocal guests.

— Thom Jurek

Album cover for Pass Through Here

Pass Through Here

Chapter Music

The East Coast singer/songwriter takes her music to California and collaborates with a younger cast of players to dynamic result.

— Thom Jurek

Album cover for Mourn

Mourn

Captured Tracks

An irresistible debut full of mischievous, scary, and witty punk that could have only come from bandmembers in their teens.

— Heather Phares

Album cover for Quarterbacks

Quarterbacks

Team Love Records

Smart debut album from upstate New York twee punks zips through 19 love songs in 22 minutes.

— Fred Thomas

Album cover for The Republic

The Republic

Thrill Jockey

A second collection of modular synthesizer compositions from this member of post-rock act the Sea and Cake.

— Fred Thomas

Album cover for Picture You

Picture You

Partisan

The band's fourth album finds them successfully blending psychedelic exploration with folky intimacy, all wrapped up in a smooth soft rock sheen.

— Tim Sendra

Album cover for Mono

Mono

Valory

The band sidesteps country and revels in Latin music, ska, rock & roll, romantic moods, and much more to impressive effect.

— Mark Deming

Album cover for Mount the Air

Mount the Air

Rabble Rouser Music

A dark storeroom of soft, piano-led balladry peppered with tasteful flourishes of upright bass, soft brush work, and spectral horns and strings.

— James Christopher Monger

Album cover for EarthEE

EarthEE

Sub Pop
R&B

Richer second Sub Pop album from the alternative R&B/rap duo, supported on two tracks by the bass of Meshell Ndegeocello.

— Andy Kellman

Album cover for Hyperview

Hyperview

Anti-

The Pennsylvania band boldly steps away from its post-hardcore roots with this ethereal and melodic shoegaze-inspired album.

— Timothy Monger

Album cover for Restarter

Restarter

Relapse Records

A drop-tuned juggernaut of major chord malevolence that distills sludge, doom, pop, punk, and stoner metal into a fist bump that breaks fingers.

— James Christopher Monger

Album cover for Waxing Romantic

Waxing Romantic

Mexican Summer

Debut full-length by young singer/songwriter with a romantic style that's well-suited by the eccentric production values.

— Tim Sendra

Album cover for Break Stuff

Break Stuff

ECM

The pianist's long-standing trio expertly demonstrate the concept that "a break in music is still music: a span of time in which to act."

— Thom Jurek