Featured New Releases for
February 25, 2022

Love Sux

Atlantic / DTA Records / Elektra / Parlophone / Warner Music
Armed with a dozen pissed-off breakup anthems, the Canadian singer/songwriter reclaims her pop-punk crown.

— Neil Z. Yeung

Black Radio III

Loma Vista
R&B
Another natural and inviting genre synthesis from the keyboardist and friends, highlighted by a Grammy-winning preview single with H.E.R. and Meshell Ndegeocello.

— Andy Kellman

Wild Loneliness

Merge
Nuanced and restrained 12th album from this indie punk institution trades in distortion for strings, horn sections, and understated textural songwriting.

— Fred Thomas

The Tipping Point

Concord / Craft Records
Seventeen years after their last outing, the thinking person's pop band return with a diverse, hook-laden collection of poignant, sophisticated pop songs.

— Thom Jurek

Becoming Undone

Dais / Dais Records
Inspired by personal and societal losses, the duo deliver some of their most pointed and harrowing music.

— Heather Phares

Squeeze

Domino
Casting aside the dream pop of her debut, dueling influences of nu metal and Sheryl Crow dominate the daring L.A. artist's second album.

— Tim Sendra

Feeding the Machine

Gearbox
The English duo expands to a trio with electronicist Max Luthert, weaving an intoxicating, fully improvised meld of sounds, textures, and grooves.

— Thom Jurek

Only Love From Now On

Smalltown Supersound
The composer/producer's fourth album delivers a heady blend of dub, kosmische, and fourth world ambient steeped in gorgeous atmospheres and details.

— Heather Phares

Still Life

Merge
The Austin, Texas honky tonk prodigy evolves into an eclectic and gifted roots-friendly indie rocker on her outstanding third album

— Mark Deming

Sonescent

Drag City
Following a meditation retreat, Whitney Johnson composed a pair of drone pieces that play with one's perception of memory in relation to music.

— Paul Simpson

Strangers on a Train

Omnivore
The third album from these Baroque rock pioneers includes songs from the original 1978 sessions and demos from 2001 that come close to the band's early magic.

— Fred Thomas

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