Featured New Releases for
February 4, 2022

Laurel Hell

Dead Oceans
A less volatile, resigned state of mind inhabits an album whose brooding, alienated lyrics are often at odds with its shiny, '80s pop veneer.

— Marcy Donelson

Time Skiffs

Domino
On their 11th studio album, this experimental institution embrace their pop side while still pushing their sound to new, strange places.

— Fred Thomas

Pompeii

Mexican Summer
The sixth album from this abstract pop auteur replaces detail-oriented songcraft with smears of dense synth pop and plastic funk.

— Fred Thomas

Requiem

Loma Vista
A focused metallic assault that adds something unexpected to the Korn story: a yearning for hope and healing.

— Neil Z. Yeung

Give Me the Future

EMI / Republic
The band's fourth album connects 1980s pop culture and 2020s virtual reality in hyperarticulate, engaging pop songs.

— Heather Phares

LP3

Grand Jury Music
A transcendent vulnerability marks the St. Paul group's artful third album.

— Matt Collar

Tomorrow

Omnivore
The guys who brought you "Positively Lose Me" reunite after 30 years and improbably deliver their finest album to date.

— Mark Deming

Advertise Here

Castle Face
The band's first album for Castle Face brings their fascinating concoction of post-punk, dub, kosmische, and psych into clearer view.

— Heather Phares

By the Book

Trouble in Mind
A warm and tuneful if stylistically mercurial debut of a quartet formed by two sisters and their partners, all active in indie pop circles.

— Marcy Donelson

Violet Opposition

n5MD
Brock van Wey adds some blown-out, shoegazey distortion to his dramatic, emotionally turbulent soundscapes.

— Paul Simpson

Contenders

HHBTM
Ben Crum and his latest set of collaborators turn up their guitars and make a truly spirited and engaging album.

— Mark Deming

Let the Festivities Begin!

City Slang
The instrumental-rock group debuts their party-hearty mix of surf, cumbia, Anatolian rock, and more with guidance from Franz Ferdinand's Alex Kapranos.

— Marcy Donelson

Astor Piazzolla

BIS
Extraordinary Piazzolla renditions, many using his original quintet of instruments, but hardly traditional.

— James Manheim

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