Featured New Releases for
October 16, 2020

Wildflowers & All the Rest

Warner Bros. / Warner Music / Warner Records
Tom Petty's warm, stripped-down 1994 classic gets an expanded reissue with unreleased songs, demos, and live recordings.

— Stephen Thomas Erlewine

Fake It Flowers

Dirty Hit
The singer/songwriter's debut album updates the legacy of outspoken '90s female artists with heartfelt songwriting and a genre-blurring sound.

— Heather Phares

Renaissance

Mad Decent
Signed to Diplo's label, one-half of AlunaGeorge takes complete control on her gratifying, wide-ranging solo debut.

— Andy Kellman

Sundowner

Dead Oceans
Following an ambitious and sometimes overwhelming double album, the indie songwriter offers a gentle comedown with this set of restrained twilight moods.

— Fred Thomas

Big Vibe

Pure Noise
The Canadian punk-pop band embrace big power pop choruses on their transformational fourth album.

— Matt Collar

Andro

Better Noise
On his first solo album in 15 years, Mötley Crüe's drummer acts as producer, applying his energetic personality to abrasive rap, EDM, and R&B styles.

— Fred Thomas

Album No. 8

BGU / BMG
The Georgian-born British singer returns with her most personal and artfully experimental album to date.

— Matt Collar

Dark Hearts

Annie Melody
A deeply melancholy, sadly nostalgic return from the Norwegian singer.

— Tim Sendra

SIGN

Warp
Autechre step back from their excessive 2010s output with a more reflective, ambient-leaning full-length.

— Paul Simpson

Various Artists

Blue Note Re:Imagined

Blue Note
This double-disc set showcases artists from the British jazz revival recontextualizing -- sometimes radically -- tunes from Blue Note's catalog.

— Thom Jurek

S16

Caroline
Yoann Lemoine's first album in seven years pitches an epic battle between toughness and vulnerability on songs that sound like miniature symphonies.

— Heather Phares

Optic Sink

Goner Records
The debut release by the dystopian minimal synth project of Natalie Hoffmann, co-founder of Memphis garage punks NOTS.

— Paul Simpson

Now Here No Where

Kompakt
Kölsch's fourth album for Kompakt is his most refined and rewarding set of exquisitely orchestrated techno to date.

— Paul Simpson

Horse

Wharf Cat Records
The Estonian group lean into their gifts for atmospheric twang on this beautifully faded set of songs.

— Heather Phares

The Time It Takes

Western Vinyl Records
Themes of memory and nostalgia intertwine with an expanded sonic depth on the eighth album from this ambient piano project.

— Fred Thomas

Someone New

Luminelle Recordings
A strange and hypnotic full-length debut from an intriguing indie singer/songwriter based in Montreal.

— Marcy Donelson

Strange Days

Interscope / Polydor
As per usual, the Struts pair huge commercial pop aspirations with the swagger of Faces, but this time around it sounds like it was their idea.

— James Christopher Monger

Destiny Hotel

ATO
Cordovas add a hefty dose of the Band to their amiable, song-oriented Grateful Dead-styled Americana.

— Stephen Thomas Erlewine

Unknowns

Ba Da Bing Records
This briefer than usual album from the New Zealand noise rock trio finds them in an especially windswept and fragmentary state.

— Fred Thomas

Crocorama

Ouls
The psychedelic chamber pop group's charming third album limits its keyboard palette to vintage instruments spanning harpsichord and Minimoog.

— Marcy Donelson

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