Featured New Releases for
February 22, 2019

This Land

Warner Bros.
A wildly adventurous blues, funk, R&B, hip-hop, and hard rock hybrid that speaks of America in 2019 with raw passion and wisdom.

— Mark Deming

Crushing

Polyvinyl
The sophomore LP's raw performances, complex emotional honesty, and themes of female autonomy set it apart from other breakup albums.

— Marcy Donelson

Eton Alive

Extreme Eating
The first album released on the duo's own label adds more melody and variety to their relentless takedowns.

— Heather Phares

Walk Through Fire

Easy Eye Sound
The English singer's Dan Auerbach-produced debut contains enough emotion and imagination to earn a place within the country/soul lineage.

Effluxion

Merge
Michael Benjamin Learner picks up a guitar and takes us to power pop paradise with this set of smart, hooky, and incisive tunes.

— Mark Deming

The Gleaners

ECM
The veteran musician's solo double bass project is remarkably accessible with its diversity, ambition, and direct, accessible approach.

— Thom Jurek

Lung Bread for Daddy

Moshi Moshi Records
The singer/songwriter's third album is a ragged but ultimately uplifting and frequently thrilling self-portrait done in '90s grunge and '70s AM pop.

— Heather Phares

City Pop

ART / Stones Throw
Tim van Berkestijn continues to refine his sincere, R&B-informed soft rock on his first album for Stones Throw.

— Andy Kellman

Silences

Atlantic
The punk blues of Victoria's debut are transmuted into something more sophisticated on her exploratory follow-up.

— Timothy Monger

Invincible

Fire Records
Despite a tuneful and competent band, Jad Fair's joyous eccentricity remains gloriously unchanged on this album.

— Mark Deming

Solo

Groenland
The effervescent beauty of Neu! and Harmonia co-founder Michael Rother's early (and recent) solo work is showcased on this fantastic box set.

— Paul Simpson

Lines, Vols. 1–3

Cadiz / Rabble Rouser Music
An ambitious trilogy of short albums concerning disasters at sea, World War I, and Emily Brontë.

— James Christopher Monger

Mazy Fly

Sacred Bones
Tia Cabral follows her intriguing self-released debut with a more fleshed-out studio album, expanding on her dreamy, genre-blurring sound.

— Paul Simpson

Illegal Moves

Trouble in Mind
The third studio album and clearest look so far at this NYC quartet's free jazz-informed experimentalism and telekinetic playing.

— Fred Thomas

Afterlife

Bar/None Records
The veteran lo-fi pop genius re-records 14 of his tunes in real studios, creating a first-rate sampler of his musical world.

— Mark Deming

Distance over Time

Inside Out Music
The New York quintet refocuses, goes back to basics, and delivers a gem that's full of aggression, great writing, and inspired playing.

— Thom Jurek

Meadow Lane Park

Elefant
Fine debut from a French chamber pop group that channels the High Llamas and Stereolab with skill and delicacy, not to mention great songs.

— Tim Sendra

Post Earth

Wichita
The Los Angeles "garage punk meets indie rock" foursome sounds tighter, stronger, and better focused on their second album.

— Mark Deming

Nobody Told Me

Forty Below Records
In a late-career peak, the octogenarian British bluesman enlists a handful of all-star guitarists to assist on this smoking collection of covers and originals.

— Thom Jurek

The Mirage

Felte
The duo's second album is a heartfelt meditation on grief and a striking artistic statement.

— Heather Phares

Love Hurts

Mack Avenue
Cut at Wilco's studio with bassist Jorge Roeder and the Bad Plus' Dave King, this killer set of mostly covers traverses rock, jazz, country, and pop.

— Thom Jurek

Slowly Speeding

Blue Star Record Company
The rockabilly queen's empowering fifth album is rife with backwoods menace, pulpy romanticism, and rootsy swagger.

— Matt Collar

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