Featured New Releases for
July 15, 2014

Strange Desire

RCA
Solo debut from fun.'s Jack Antonoff is a time trip back to the soundtracks of John Hughes' high-school films, but with a modern twist.

— Tim Sendra

Yes!

Atlantic
The former wizard of wordplay delivers a sun-kissed romantic record for couples already in love.

— Stephen Thomas Erlewine

Passerby

Sub Pop
The Australian folk duo's debut for Sub Pop is a treasure of timeless songcraft and gentle restraint.

— Timothy Monger

Shattered

Merge
A subtle but soulful change of pace for Greg Cartwright, though the songwriting and performances are as strong as ever.

— Mark Deming

Jungle

XL
Debut from this mysterious U.K. duo builds its darkly evocative tracks on throwback grooves and floating falsetto vocals.

— Fred Thomas

Everything Infinite

Dovecote Records
Sun-kissed modern pop draws from decades of psychedelic dance music but sounds fully modern, with the duo totally in charge of their sound.

— Tim Sendra

Conversations

Secretly Canadian
Quietly seductive noctural pop from a quartet that splits the (small) difference between the xx and Chvrches.

— Tim Sendra

Honeyblood

Fat Cat / FatCat Records
The crunch-pop duo's first full-length delivers equal amounts of sugar and grit, as well as a surprising amount of nuance.

— Heather Phares

Liminal

Mute / Mute US
The trio's debut is full of subtly compelling, shape-shifting tracks that compare favorably with the xx and How to Dress Well.

— Heather Phares

Melted Toys

Underwater Peoples
Spacy, Felt-influenced indie pop that sounds like the soundtrack to a blanket fort-building party.

— Tim Sendra

Ghosts

Anthem / Rounder / Zoë Records
Moves the band in a slightly more prog rock direction, with some acoustic-based tracks tossed in as well.

— Steve Leggett

Hard Believer

Ninja Tune
This trio tones down the electronics yet convincingly ups the production ante with a set of dark and melancholy songs.

— Thom Jurek

Bled White [LP]

The End
On its ninth effort, the Chicago band sums its musical history while pushing ever forward in a dark, aggressive, dynamic set.

— Thom Jurek

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