Featured New Releases for
September 24, 2013

Nothing Was the Same

Cash Money
Rap
Almost everything is the same on the singing rapper's third album, except for some new lyrical concerns and slightly moodier loops.

— Tim Sendra

The Last Ship

A&M / Cherrytree Records / Polydor
Sting offers his own stripped-down versions of songs that appear in his Broadway musical.

— Stephen Thomas Erlewine

Seasons of Your Day

Rhymes of an Hour Records
The atmospheric duo returns after a 17-year hiatus with a country twang- and blues-infused mix of dreamy pop.

— Matt Collar

Get Happy

Heinz / Heinz Records
Featuring collaborations with Rufus Wainwright and Phyllis Diller, Pink Martini's fifth album is more bittersweet than its title suggests.

— Heather Phares

Love in Flying Colors

Foreign Exchange Music
R&B
Nicolay and Phonte's joyous and audacious fourth album brims with note-perfect incorporation of folk-soul, house, drum'n'bass, and broken beat.

— Andy Kellman

The Bluegrass Album

Capitol / EMI Nashville
Jackson's warm, familiar voice drops right in among the banjos, mandolins, and fiddles like it was born to be there.

— Steve Leggett

Closer to the Truth

Warner Bros.
Split between uptempo dance tracks and introspective ballads, Cher shows no signs of slowing down after half a century in the music biz.

— Tim Sendra

Negativity

Partisan
Dark without being depressive, this lively Americana-rooted album hides its tormented core in a multifaceted musical approach.

— Fred Thomas

Songbook

Rounder
R&B
Elegant, joyous solo concert spotlighting Toussaint's rich songbook.

— Stephen Thomas Erlewine

Herein Wild

Fat Possum Records
The dreamy singer/songwriter's third album is a thrilling synthesis of noise pop and synth pop.

— Tim Sendra

Ketevan

Dramatico
The Georgian-born vocalist's sixth album is a cinematic and lyrical orchestral-tinged delight.

— Matt Collar

Wishbone

ADA / Federal Prism
Danish ballet dancer turned pop princess offers up Grimes, Goldfrapp, and Lykke Li-inspired girly club beats, icy electro-pop, and wistful balladry.

— James Christopher Monger

Get Wet [Clean]

Columbia
The debut full-length from this Chicago dubstep/dance-pop party posse is the best kind of mindless, escapist fun.

— Fred Thomas

Shout! [Bonus Disc]

Provogue Music Productions
On its Blue Note debut, the quartet delivers a striking set of new songs and sounds, great playing, and a new production standard.

— Thom Jurek

Piano Sutras

Thirsty Ear
On his first solo date in three years, the pianist and composer delivers a tour de force in relatively brief original works and covers.

— Thom Jurek

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Tzadik Records
Noisy and beautiful guitar/saxophone improv duos by two of N.Y.C.'s longer-running fringe dwellers, played with a conversational ease.

— Fred Thomas

R5

Louder

Hollywood
Fun and frothy debut from the Lynch family that's in the style of One Direction, but given their own innocent spin.

— Tim Sendra

Unblackened

Entertainment One
Black Label Society offer up a bluesier, more restrained take on some of their classic tracks on this live double album.

— Gregory Heaney

Relatively Well

New Wave Dynamics
Funny and surprisingly dark, Foley's debut comedy album arrives almost 20 years after the Kids in the Hall left television.

— David Jeffries

After Blue

BFM Jazz
Exchanging the standards of Great American Songbook for the songs of Joni Mitchell, the stylish vocalist delivers one of her finest recordings.

— Thom Jurek

Lost

In My Room
There's less dance music than early fans might like, but the Danish producer's third effort is a rangy, rich success.

— David Jeffries

Dream Theater

Roadrunner Records
This offering marks the full integration of drummer Mike Mangini in the creative process, and is one of the band's most successful efforts.

— Thom Jurek

Shining Hope

HCM
Featuring the single "Everything’s Gonna Be Alright," Gappy's 2013 effort is both positive and quite pop.

— David Jeffries

Man & Myth

Science Friction
On his first new album in 13 years, the singer/songwriter is at the peak of his powers as a writer and singer.

— Thom Jurek

Tattoos

Warner Bros.
A little more romantic than his previous two albums, the singer's third full-length still features plenty of manchild EDM-pop.

— Andy Kellman

The Line

Concord
The instrumental band's aggressive fourth album inspired by the rhythms of electronic dance music and avant-garde jazz.

— Matt Collar

A Friend in the World

Badman Recording Co.
Wistful yet propulsive folktronica with a feminist edge and an open heart from this Portland, Oregon-based trio's seventh long-player.

— James Christopher Monger

Arrows of Desire

Frostbyte / Frostbyte Media
Matthew Good keeps the post-alternative dream of the late '90s alive on his 11th studio album.

— Stephen Thomas Erlewine

Grin

FatCat Records
TRAAMS' first full-length balances punchy post-punk and lanky Krautrock with slightly unhinged intensity.

— Heather Phares

Say! What's This?

M'lady's Records
Collection of mostly unheard material from the entire lifespan of this bizarre and obscure gem of the post-punk era.

— Fred Thomas

What's the Hubub Bub

M'lady's Records
Originally released on cassette in the early '80s, this incredible outsider band presents early looks at noise, collage, and post-punk minimalism.

— Fred Thomas

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