Featured New Releases for
April 2, 2013

Wolf

Odd Future
Rap
Featuring guests Erykah Badu and Earl Sweatshirt, Tyler's third solo effort is a fun but frustrating mix of old tactics and new money.

— David Jeffries

Vanishing Point

Sub Pop
Mudhoney celebrate their 25th anniversary with the joyously cranky and nasty Vanishing Point.

— Stephen Thomas Erlewine

Hem

Departure & Farewell

Nettwerk / Waveland
After nearly seven years, this Brooklyn group emerges with an album whose sessions were tried by fire and is all the better for it.

— Thom Jurek

Pioneer

Republic Nashville
The Band Perry rely on Kimberly Perry's swagger and get accidentally odd on Pioneer.

— Stephen Thomas Erlewine

Nomad

Nonesuch
Bombino traveled to Nashville for this set with the Black Keys' Dan Auerbach, and the result mixes Tuareg rhythms with deep country trance blues.

— Steve Leggett

Right on Time

Redneck
The aptly named Right on Time shows that Gretchen Wilson is capable of much more than just country honky tonk anthems.

— Steve Leggett

Caveman

Fat Possum Records
Taking a step back from the neon rock of their debut, Caveman's self-titled second album is a more reflective, atmospheric ride.

— Fred Thomas

Rkives

Little Record Company
Rkives is a collection of odds and ends, B-sides, rarities, and unheard songs from Rilo Kiley.

— Stephen Thomas Erlewine

The North Borders

Ninja Tune
Organic meets electronic once again, but this excellent effort is the most melancholy and modest album in Bonobo's catalog.

— David Jeffries

Dormarion

Merge
Michael Benjamin Lerner, along with the help of Spoon drummer/producer Jim Eno, offers up another solid set of convivial power pop gems.

— James Christopher Monger

Stop Thinking So Much

Aporia Records / Fuzzy Logic
After a four-year break, Toronto's Bicycles come back with another album of happy, hooky pop that expands their musical horizons a bit.

— Tim Sendra

Victim of Love

Dunham Records
R&B
The sophomore album by the Broolkyn soul singer is a progression rather than a departure and every bit as gritty and true.

— Thom Jurek

Heza

Polyvinyl
The '80s new wave-influenced New Orleans duo delivers a warm, lightly experimental, and engaging third album.

— Matt Collar

Cruise Your Illusion

Fat Possum Records
This debut owes more than a little of its sound to the influence of the early SST roster, but more original ideas also peek through.

— Fred Thomas

Recurring Dream

Kranky
Implodes' mix of shoegaze, post-rock, and drone is even more bleakly beautiful on their second album.

— Heather Phares

Kids Raising Kids

ATO
A cross between California pop and British Invasion with a dose of Byrdsian guitars, heavily echoed vocals, and nary a Nashville drawl in sight.

— Steve Leggett

Ministry of Love

Iamsound
Io Echo's debut album introduces their moody, Asian-tinged synth pop, which works best when they don't rely on gimmicks.

— Heather Phares

More Than Words

eOne
R&B
Filled with late-'70s/early-'80s R&B and soft rock references, and a bit weird, this is the singer's most enjoyable album since 2006.

— Andy Kellman

Holiday

Downtown
Bridging skeletal indie arrangements with patches of ambient texture, this debut offers a very personal look at one person's quiet catharsis.

— Fred Thomas

Amygdala

Pampa
The mad techno experimentalist's most daring and creative album yet features help from Matthew Dear, Ada, and Milosh (Rhye).

— Andy Kellman

Living by the Days

Real Gone Music
A fine 1971 obscurity by a stellar songwriter, producer, and musician recorded at Muscle Shoals with a who's who of session players.

— Thom Jurek

Migrant

Equal Vision
Migrant finds songwriter Casey Crescenzo stepping away from his conceptual album cycle to explore the freedom of writing a traditional album.

— Gregory Heaney

Machineries of Joy

Rough Trade
BSP's sixth long-player finds the eccentric English indie rockers searching for the sweet spot between magic and melancholy.

— James Christopher Monger

For Now I Am Winter

Mercury
For Now I Am Winter incorporates elements of pop into the Icelandic artist's already evocative blend of neo-classicism and icy electronica.

— James Christopher Monger

Goosebumps

Art Fag
If the Beach Boys were cough syrup addicts when they recorded "Surfer Girl," it may have ended up sounding like this.

— Tim Sendra

Gravel & Wine

Mercury / Polydor / Universal / Universal Music
Gravel & Wine, originally released in New Zealand in 2011, is a huge-sounding dance-pop album full of songs geared straight for the radio station.

— Steve Leggett

Made

Fair Trade Services
The band's sixth album, 2013's Made, is another big-hearted, big-sounding emo-pop album that's fully stocked with big choruses.

— Tim Sendra

Haw

Paradise of Bachelors
Embodying the traditions of Southern folk, country, bluegrass, rock, psych, and more in visionary prophetic songs, Haw is timeless and mysterious.

— Thom Jurek

Life Forum

Concord
A passionate, literate, and hauntingly soulful sophomore album features the pianist backed by an all-star jazz ensemble.

— Matt Collar

Black Music

Last Gang Records
A surprisingly eclectic, psychedelic set of songs, Black Music shows why Dark Horses are friends with Kasabian and Black Rebel Motorcycle Club.

— Heather Phares

Imaginature

One Little Indian
Aided by Fever Ray's producer, HK 119's third album is an exploration of spirituality and nature that melds the organic with the electronic.

— Heather Phares

Cosy Moments

Kill Rock Stars
After a five-year break, Kinski return with more vocals than ever before and a new appreciation for pop in their expansive jams.

— Fred Thomas

Above [DVD]

Columbia / Legacy
Mad Season's lone album gets a deluxe edition complete with B-sides, a live show, DVD, and outtakes from their abandoned second LP.

— Stephen Thomas Erlewine

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