the Pale Saints formed in Leeds, England, in 1987. Ian Masters (bass/vocals), Chris Cooper (drums), and Graeme Naysmith (guitar) were signed by Ivo Watts-Russell to his 4AD label on the strength of their first London appearance. The three-song Barging into the Presence of God was released two years later, receiving praise for its lead track, the melancholy "Sight of You" (which was later covered by Oxford's Ride for a radio session). In 1990, the debut LP The Comforts of Madness appeared in the bins, produced separately by Gil Norton (Echo & the Bunnymen, Pixies) and John Fryer (Cocteau Twins, Depeche Mode). Categorized within the current shoegaze scene with My Bloody Valentine and Lush, the billowy Comforts of Madness had just about all the features of the subgenre, as well as a bizarre experimental bent. Masters' boyish vocals also stood out, not needing any production treatments to carry a wispy, levitational quality.
Meriel Barham, who was thanked for guitars and vocals on 1990's Half Life single, joined as a full member by the end of the year. Barham had been Lush's original vocalist (when they were calling themselves the Babymakers), recording a demo that was viewed as awful by all parties involved. The Pale Saints had been performing with a second guitarist, but wanted a permanent fourth member. Lush's Miki Berenyi suggested Barham to the band, and they obliged. Ace producer Hugh Jones lent his skills for 1992's In Ribbons. Yet another Bunnymen associate (the Pale Saints were obviously big fans of them, though you wouldn't know from their recordings), Jones captured a power and liveliness that Norton and Fryer didn't provide. Stronger musically and sound-wise, In Ribbons was another excellent album, though it sacrificed some of the band's original charms and quirks in favor of more pop accessibility. This and a growing disdain for touring led to Masters' departure in 1993. The remaining members replaced him with session hand and former Heart Throbs bassist Colleen Browne.