Alternative rave rockers led by the volatile wordsmith Shaun Ryder practically defined the Madchester movement of the late-1980s.
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Happy Mondays Biography

by Stephen Thomas Erlewine

Along with the Stone Roses, Happy Mondays were the leaders of the late-'80s/early-'90s dance club-influenced Manchester scene, experiencing a brief moment in the spotlight before collapsing in 1992. While the Stone Roses were based in '60s pop, adding only a slight hint of dance music, Happy Mondays immersed themselves in the club and rave culture, eventually becoming the most recognizable band of that drug-fueled scene. The Mondays' sound relied heavily on the sound and rhythm of house music, spiked with '70s soul licks and swirling '60s psychedelia. It was bright, colorful music that had fractured melodies that never quite gelled into cohesive songs.

Unwittingly or not, Happy Mondays personified the ugly side of rave culture. They were thugs, pure and simple -- they brought out the latent violence that lay beneath the surface of any drug culture, even one as seemingly beatific as England's late-'80s/early-'90s rave scene. Under the leadership of vocalist Shaun Ryder, the group sounded and acted like thugs, especially in comparison with their peace-loving peers the Stone Roses. Ryder's lyrics were twisted and surrealistic, loaded with bizarre pop culture references, drug slang, and menacing sexuality. Appropriately, their music was just as convoluted. Happy Mondays were one of the first rock bands to integrate hip-hop techniques into their sound. They didn't sample, but they borrowed melodies and lyrics and, in the process, committed rock blasphemy. For a band that celebrated their vulgarity and excessiveness, Happy Mondays were appropriately undone by their addictions, but they left behind a surprisingly influential legacy, apparent in everyone from dance bands like the Chemical Brothers to rock & rollers like Oasis.

Bummed With their second album, 1988's Bummed, Happy Mondays became British superstars, particularly Ryder. Pills 'n' Thrills and Bellyaches, released in 1990, marked the height of the band's popularity, creativity, and influence; although the record made the Top 100 albums chart in America, it didn't establish them as stars in the U.S. After that, the fall was quick. By the time they released their next studio album, Yes, Please, Manchester had disappeared from public consciousness; it sold respectably, but the group didn't have the commercial impact that they had just two years earlier. Besides the lack of public interest, Ryder had become addicted to heroin, tearing the band apart in the process. At a high-level record contract meeting, he walked out for some "Kentucky Fried Chicken," which was the band's slang for heroin. He never returned and the group quickly fell apart.

It's Great When You're Straight... Yeah Ryder and the Mondays' full-time dancer, Bez, re-emerged in the mid-'90s with Black Grape. The band released its critically acclaimed debut, It's Great When You're Straight...Yeah, late in the summer of 1995. Black Grape's sound pursued the same direction as the Mondays only with a harder, grittier edge. In 2007, 15 years since their last record, the band (minus about half the original members, including guitarist Mark Day) released their fifth studio album, Uncle Dysfunktional. Paul Ryder, Shaun's brother and the group's bassist and co-founder, died on July 15, 2022 at the age of 58.

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