Composition Highlights
Title |
Year |
Avg. Duration |
Genre |
Il barbiere di Siviglia (The Barber of Seville), opera |
1816 |
01:38:36 |
Opera |
Overture to La gazza ladra (The Thieving Magpie) |
1817 |
09:50 |
Orchestral |
Tancredi, opera |
1813 |
02:53:31 |
Opera |
L'italiana in Algeri (The Italian Girl in Algiers), opera |
1813 |
01:57:35 |
Opera |
Overture to Semiramide |
1823 |
12:16 |
Orchestral |
Petite messe solennelle, for soloists, chorus, 2 pianos & harmonium |
1863 |
01:06:12 |
Choral |
Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra |
1841 |
56:22 |
Choral |
Overture to Il barbiere di Siviglia (The Barber of Seville) |
1816 |
07:17 |
Orchestral |
Overture to Guillaume Tell (William Tell) |
1829 |
11:20 |
Orchestral |
La cenerentola (Cinderella), opera |
1817 |
02:17:54 |
Opera |
Semiramide, opera |
1823 |
03:18:50 |
Opera |
Guillaume Tell (William Tell), opera |
1829 |
02:16:19 |
Opera |
Sonate a quattro (6) for 2 violins, cello & bass, QR i/1 |
1804 |
31:30 |
Chamber Music |
La danza. Tarantella Napolitana ("Già la luna è in mezzo al mare"), for voice & piano (Soirées musicales) |
1830 |
03:05 |
Vocal Music |
Soirées musicales, song collection for voices & piano |
1830 |
48:22 |
Vocal Music |
La gazza ladra (The Thieving Magpie), opera |
1817 |
02:01:42 |
Opera |
Otello, opera |
1816 |
02:27:29 |
Opera |
Overture to L'italiana in Algeri (The Italian Girl in Algiers) |
1813 |
07:58 |
Orchestral |
Overture to Il signor Bruschino |
1813 |
04:51 |
Orchestral |
Armida, opera |
1817 |
02:20:36 |
Opera |
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