Fugazi, their records won't be overshadowed by their reputation and methods of operation. Instead of being known for their community activism, five-dollar shows, ten-dollar CDs, and resistance to mainstream outlets, they will instead be known for their intelligent songwriting and undeniably proficient musicianship, which drew from their roots in Washington, D.C. hardcore, as well as post-punk and dub reggae. Songs like "Waiting Room" and "Suggestion," as well as albums such as Repeater and Red Medicine, are considered post-hardcore benchmarks.
Drummer Brendan Canty, bassist Joe Lally, and guitarists/vocalists Ian MacKaye, and Guy Picciotto formed Fugazi in 1987. Initially a trio, Picciotto was added to the lineup after the band's first live shows. Prior to forming, the members already had deep roots in the D.C. punk scene. Dischord labelhead MacKaye, who had previously been in the Teen Idles and Minor Threat, had just come from Embrace. For better or worse, Embrace, along with Picciotto and Canty's better Rites of Spring, kick-started the emo sub-genre that reached prominence years later.
Fugazi's recordings and tours became more sporadic during the latter half of the '90s. Both Red Medicine (1995) and End Hits (1998) were looser and more exploratory than the band's earliest recordings. Instrument (1999), a documentary video directed by Jem Cohen, was released with an accompanying soundtrack and included live performances and interviews. The soundtrack featured demos, jams, and incidental cutting room scraps. Fugazi's sixth proper album, The Argument (2001), was simultaneously issued with the three-song Furniture EP. Outside Fugazi, both MacKaye and Picciotto helped other bands with production. MacKaye continued to operate Dischord, and Lally began his own label, Tolotta. Picciotto also ventured into filmmaking. Though they never officially disbanded, Fugazi remained dormant as the years spun on, MacKaye touring and recording more with the Evens, his band with Amy Farina. In 2011, Dischord launched the Fugazi Live Series, an online archive that grew to house recordings of various qualities of every one of the band's more than 1,000 shows. When the series reached it's goal of complete documentation of the band's live work, Dischord marked the end of the phase with the release of First Demo, a re-mastered issue of the band's preveiously unreleased ten song demo recording from 1988.