Since the turn of the millennium, few pop artists have established such a distinctive aural identity as Andrew Bird. A virtuosic violinist, singer, songwriter, composer, and expert whistler, his career has undergone a wide variety of stylistic shifts from his early days playing jazz and swing music to his mid-2000s reinvention as a savvy pop sophisticate and instrumental looping pioneer.
Bowl of Fire era and his tentative new solo career, the self-released 2002 EP Fingerlings combined a handful of stark new solo tracks with a scattering of live band cuts. The proper solo LP that followed, 2003's Weather Systems, signaled a new phase for Bird, introducing a more experimental and layered folk-pop style that he explored more fully on his ambitious 2005 breakthrough, Andrew Bird & the Mysterious Production of Eggs. With this release, Bird established what would become a signature sound based around elaborately multi-tracked violins and instrumental looping while also introducing fans to his remarkable prowess as a whistler. His 2007 follow-up, Armchair Apocrypha, continued to expand on this eclectic mix, framing his cryptic and highly literate lyrics with increasingly experimental indie rock propelled by a new collaborator, drummer/keyboardist Martin Dosh. 2009's Noble Beast also featured Dosh as collaborator and, like many of Bird's previous releases, the wealth of extra material from the album's sessions yielded a companion release in 2010's instrumental Useless Creatures.
Bird composed the score for Jonathan Segal's independent coming-of-age film Norman. The film's soundtrack was his first offering for the Mom + Pop label, which released his sixth studio album, Break It Yourself, in March 2012. Break It Yourself became Bird's highest-charting album to date, debuting at number ten on Billboard's Top 200. A companion EP, Hands of Glory, arrived later that year, followed in 2013 by the seven-song conceptual suite I Want to See Pulaski at Night. Newly relocated to Los Angeles and using his Hands of Glory backing band, Bird recorded his seventh album, 2014's Things Are Really Great Here, Sort Of..., a collection of cover songs of fellow Chicagoans the Handsome Family. Bird has had a long association with the husband-and-wife folk duo, first covering their song "Don't Be Scared" in 2003 on his Weather Systems LP, a song that he again tackled on this tribute album. 2015 brought the first volume of a new environmentally oriented instrumental series called Echolocations, in which the violinist was recorded performing deep inside Utah's Coyote Gulch canyons. His next studio LP, 2016's Are You Serious, featured collaborations with Fiona Apple and Blake Mills and saw Bird writing in a more personal style. It was followed in 2017 by the second Echolocations release, River, recorded under a viaduct on the Los Angeles River.
The following year, he issued the single "Bloodless," which landed on his 2019 album, My Finest Work Yet. His second for Loma Vista, the effort also featured the single "Sisyphus."