While remaining steeped in the musical traditions of her native Japan, pianist and composer Aki Takase emerged as one of the most versatile figures in contemporary jazz, her work running the gamut from conventional structures and harmonies to complete abstraction. Born in Osaka on January 26, 1948, and raised in Tokyo, she received her first piano lessons at the age of three, going on to study at Tohogakuen Music University. Influenced by the work of Ornette Coleman, John Coltrane, and Charles Mingus, Takase soon turned to improvisation, and in 1971 was regularly performing professionally; by the age of 25, she was already leading her own groups.
Dave Liebman; in 1981, she also journeyed to Europe, where she and her trio played the Berlin Jazz Festival. By 1982, Takase was regularly in the studio, leading such dates as A.B.C. and Perdido. In New York, she recorded with artists including Sheila Jordan, Cecil McBee, and Bob Moses, and also delivered a much-acclaimed performance at the East-West Festival in Nuremburg.
Takase regularly played in a duo with Maria João and maintained her busy festival schedule. She also toured with Coltrane alumni Rashied Ali and Reggie Workman, founded a septet comprising other Japanese musicians, composed for a string quartet, and continued to work as a solo performer (at times playing the koto, a traditional Chinese 17-string zither). During this period, Takase released a handful of well-regarded albums on Enja, including 1990's Shima Shoka, 1993's Looking for Love, 1995's Blue Monk, and 1997's Oriental Express. She also joined pianist Alex von Schlippenbach for a series of concerts collected on Piano Duets: Live in Berlin, 1993-1994.
Evergreen, 2011's Two for Two, and 2014's So Long, Eric! Homage to Eric Dolphy. In 2017 she paired with saxophonist David Murray for the duo album Cherry [Sakura].