Just under half an hour's worth of old record spin-and-crackle sounds in the foreground, with a faint background of John Zorn adding small amounts of harmonium and Yamantaka Eye voicing occasional hums and tones. Most of what you hear, however, is record surface static and the revolutions of the vinyl. Zohar could only be of use to completists, or as a layer for mixing.
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AllMusic Review by Joslyn Layne