This is painful. Splotch recorded Two Million Fuckheads with as much feedback and reverb as they could possibly cram into an album. All five songs feature heavy distortion, raspy, screaming vocals, and frequent tempo changes. With this hybrid, which could only be characterized as unadulterated noise, the production value of Two Million Fuckheads throws Splotch in with the likes of the Mummies, but without the garage-punk romp or energetic momentum.
Share this page