This is, undeniably, where everything started to go pear-shaped for the Meters. Take the opening track, "Disco Is the Thing Today," a four-on-the-floor pumper that sounds nothing like the Meters and everything like BT Express. For the rest of the record the Meters and producer Allen Toussaint don't necessarily prove that sentiment true, but they do strive to sound as mainstream as possible, turning out slick ballads, frothy dance numbers, and pop-funk without spine. There are a couple of exceptions to the rule -- "Mister Moon" is the one time when the glossy formula works and turns sultry, "(Doodle Loop) The World Is a Little Bit Under the Weather" nearly grooves, and their take on "Honky Tonk Women" has some real grit -- but this is record is pretty much a dead end, and a pretty dispiriting one at that, best evidenced by the crushing disappointment that's their flat reading of Earl King's classic title track.
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AllMusic Review by Stephen Thomas Erlewine