Lenoir's sound really got locked in during this period, using twin saxes, himself on boogie rhythm guitar (with an occasional minimal solo), revolving piano, and bass stools and Al Gavin -- certainly the strangest of all Chicago drummers -- constantly turning the beat around. This is Lenoir at his creative and performing best, including his best-known songs "Mama Talk to Your Daughter" (with the famous "one note for 12 bars" guitar solo), "Eisenhower Blues," and "Give Me One More Shot," where Gavin starts out the tune on the wrong beat, gets on the right beat by mistake, then "corrects" himself! Lyrics as metaphorically powerful as any in the blues against grooves alternating between low-down slow ones and Lenoir's patented boogie.
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AllMusic Review by Cub Koda