The Greatest in Country Blues, Vol. 3 (1929-1956)

Various Artists

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The Greatest in Country Blues, Vol. 3 (1929-1956) Review

by Larry Hoffman

Anyone interested in a survey of early blues will be thrilled with having any of these three historical volumes, suited to both novice and connoisseur alike. Each provides a dazzling, panoramic survey of artists both famous and obscure and covers every region known to have nurtured the music. Volume 2 features Skip James's "Devil Got My Woman," and Robert Johnson's "Preaching' Blues," and Kokomo Arnold's "Paddlin' Madeline Blues." From Texas Alexander there is a version of "Levee Camp Moan Blues" which is made timeless by the incomparable guitar of Lonnie Johnson. Great instrumentals like Palmer McAbee's "Railroad Piece" and the Dallas String Band's "Dallas Rag" add spice, and there are also first-rate entries by more obscure giants like King Solomon Hill, George "Bullet" Williams, "Hi" Henry Brown, and Blind Joe Taggart.

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