Pianist Michel Camilo did some intensive recording for the Japanese Suntan label over a two-day period in 1986. These five selections were in a trio format with Dave Weckl and Joel Rosenblatt alternating on drums and Anthony Jackson on bass throughout. Camilo displayed the Afro-Latin and Latin jazz side of his keyboard personality with slashing, attacking rhythms and phrases. He sacrificed some of his celebrated speed and thought more about ideas, pace, melodies, and harmonic creativity. Camilo's playing emerged as dominant as Jackson was content to work off his leads, and both drummers were equally willing to interact rather than try to influence the music's direction. As a result, Camilo got the chance to demonstrate his full range and did so in a workmanlike, effective manner.
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AllMusic Review by Ron Wynn