Pianist Beatrice Rana made a sensation as a teen with some strikingly charismatic and virtuosic performances. Yet since then, she has taken a deliberate approach to her career, recording only periodically and not trying to be in the limelight at all times. Her approach has borne fruit in this release of works by Ravel and Stravinsky, all of them well-traveled except for the single-piano arrangement of La Valse, which is less often played due to its sheer difficulty. Rana dispatches the final swirls of notes confidently, but listen around elsewhere for the incredible variety of articulation, all of it well-considered and contributing to the greater musical whole, of which this pianist is capable. "Oiseaux tristes" (sample this) is not one of the more often excerpted movements from Ravel's Miroirs, yet Rana's sharp articulation of the distressed bird calls makes the scene come uncannily alive. The two Stravinsky ballet transcriptions have forward motion tempered by shading that suggests the original ballet music in numerous ways. To top it all off, Rana's penetrating insights in the notes, and the fine Teldex Studio sound from Parlophone/Warner Classics, and you have an album that announces Rana's progression from promising young player to one of the most important of major artists. Brava!
AllMusic Review by James Manheim
|L' Oiseau de feu (Danse infernale, Berceuse et Finale from The Firebird)|
|Three Movements from Petrushka / Trois mouvements de Pétrouchka|