By the late '70s, Ayers was faced not only with the problem of increasingly redundant material, but also with the fact that the audience for his brand of weirdo progressive rock was shrinking precipitously, making him sound not just repetitious, but dated. There are still some good moments on this album -- the chamber music arrangement of "Strange Song," the brief burst of singalong nonsense called "Hat Song." But it's one of his more faceless efforts, with anonymously laidback arrangements that are more prone to swirling keyboards than much of his previous output. And a song like "Beware of the Dog" is so meandering in its attempt to be likably weird that it's virtually meaningless.
AllMusic Review by Richie Unterberger